Artwork for Mastering the Art: The Journey of Alani J - I Will Not Lose Podcast - #0053

March 6, 2024 ยท 59:15

Mastering the Art: The Journey of Alani J - I Will Not Lose Podcast - #0053

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Join us in this inspiring episode as we sit down with Alani J, the world's fastest caricature artist, as he unveils the secrets behind his remarkable success. From honing his craft with intention to leveraging social media to build a massive following, Alani shares invaluable insights into the power of practice and its application in various facets of life, including martial arts and business. Get ready to be motivated and empowered by his incredible journey!

Episode notes

Join us in this inspiring episode as we sit down with Alani J, the world's fastest caricature artist, as he unveils the secrets behind his remarkable success. From honing his craft with intention to leveraging social media to build a massive following, Alani shares invaluable insights into the power of practice and its application in various facets of life, including martial arts and business. Get ready to be motivated and empowered by his incredible journey!

Transcript

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  1. good morning good evening good night good afternoon don't give me copyright flag though

  2. no no no you can cut this out i sounded like a zombie

  3. yeah in order to grow you gotta have like some kind of goals we're all the way live

  4. we made it what's up man how's it going brother good it's been a while yeah man let me just roll

  5. off this intro and we'll jump right in all right let's get it what's up what's up what's up good

  6. morning, good evening, good night, good afternoon, whatever time you're listening in, wherever you're

  7. listening from. This is I Will Not Lose Podcast, where we set out to learn that everything is

  8. learned from failure. We must recognize it as one step closer to success. I'm your host, Tony Ortiz.

  9. Could have been anywhere in the world, but you're here right now. Let's take a moment to be present

  10. and recognize that it's now, right now. Whether your right now is working, running, driving,

  11. flying whatever be thankful we're alive baby let's go failure is frightening but as winston

  12. churchill reminds us success is all about going from failure to failure without losing enthusiasm

  13. so that will not lose podcast let's jump right in we're joined here with alany jimenez known

  14. by many many more as alany j character artists how's it going brother i'm delighted to be here

  15. to be honest with you. It's been a while since I last hung out with you, man. And I know that

  16. it was such amazing experiences that we went through, you know, going through the steps to

  17. get to where we are today. Yeah, no, absolutely. You're talking years. It's definitely been a

  18. break. Yeah, dude. I can say that you are one of the people that has inspired a lot of the

  19. mannerisms that i have for different types of uh facets of the of my business um just your

  20. dedication your type of drive you know and your preparation you know you're always uh ready to

  21. dive in and talk to people about what it is you do so i'm thankful and uh i'm ready to talk about

  22. talk to you about what i do definitely definitely well thank you for the kind words and inspiring

  23. and the mannerisms and stuff and set out with business we have a past with the uh your original

  24. business was in design and graphic design commercial a little bit of web and print

  25. yep you got it graphic design i um i'm the proud owner of alany graphics and uh it is still alive

  26. today i still do graphic design mostly driven with the power of caricature so um i realized that

  27. I've I got into graphic design because I love art and because I love computers so it just getting

  28. into caricature nowadays the way I have been you know so deep into the caricature world that

  29. now I can combine both absolutely well you've definitely been focused with the characters

  30. you boast uh fastest character artist in the world you know we'll get into that story in a

  31. second, but you're highly followed 2.2 million followers on YouTube, just about as many on

  32. Facebook, five, 600,000 on Instagram. So you got in the lane of just doing, uh, why don't you tell

  33. a bit about how you did that? Oof. Um, I feel that the people around me, the people who, uh,

  34. trained me and, uh, worked next to me or that I worked next to, uh, were the, a little bit of,

  35. an example, the models that I would follow as I grow in this caricature industry, which I got into

  36. 19 years ago now. And I'm happy to say that, you know, even now they are big names in caricatures

  37. that have changed the way that the next generations of caricature artists would be trained

  38. and the way that they would portray the artwork itself to the world um as a as a as an industry

  39. very cool yeah how much of that has moved to digital do people do like uh like in procreate

  40. or something like that or on an ipad characters it's interesting you say that um it's very

  41. difficult to transfer the knowledge from um you know traditional caricature and digital and that's

  42. mainly due to the stylus and or the apple pencil whatever it is you use to draw um i can say that

  43. i can you know you have the knowledge but the movement the pressure the you know the the

  44. strokes that you would take are a little bit different based on the markers and in fact uh

  45. That's one of the reasons why I developed a brush for Procreate that is for caricaturing that behaves precisely like what you would want for a marker in traditional to perform like.

  46. So that is actually one of the things on my website that people can purchase right now and, you know, for less than five bucks and be able to have that tool that they can use for their gigs and everything and make as much money as they want with digital caricatures, which is a highly sought after.

  47. um i wouldn't say uh it's like an industry part of the industry of caricatures uh where you know

  48. people hire artists to come out to their special events and draw the families the family members

  49. and the guests of the event yeah and it's nice to have something tactile that you can leave with you

  50. like if you do the uh the pen and pad all right that's the other part of it for sure that's the

  51. traditional where you can actually draw with a marker on paper and that way you they can actually

  52. take it with them the other part of it is the digital caricature where you take the pen and

  53. stylus that you would use use it on your ipad or on your cintiq depending on what you're using

  54. you would then print that and have that take uh have the guests take that with them

  55. awesome man awesome it's it's an interesting world but i can say that a lot of it since i

  56. developed that you know what i call ellen ej marker brush if you look it up on google you can

  57. find it um you are able to take that and and just draw as if you're drawing with a marker and that's

  58. you know it feels the same the the width and the pressure that you apply where you apply it it

  59. responds like the marker and uh it's changed a lot of artists workflow uh yeah i can imagine you so

  60. you found a problem and you solved it you know i i i'm very thankful that there's certain things

  61. that i've been able to do with some of the experience that i've uh acquired but um you

  62. know it's it's all due to the demand yeah if if people are in need of something i try to be the

  63. helpful person and come up with a solution you know even if it has to do with you know uh getting

  64. you know as an artist and getting better you can become faster you can become um how did it become

  65. better i've actually you know a a workflow that i want to um later on mention um and it has to do

  66. with repetition but it has to do with intentional repetition and it's something that i later after

  67. many years of doing caricatures that i found out that it needed to take place and if i would have

  68. done it way back when i would have been a totally different artist now oh that makes sense it's an

  69. interesting uh workflow that i have um developed and and that will be put into a book uh form and

  70. also a course so stay tuned for that there you go yeah shameless plug so do you feel like you

  71. i don't want to say wasted time like you said you would have been a completely different artist do

  72. you feel like it was too late or the fact that it's spawning off into a book and this other stuff

  73. do you think you would have had the knowledge to turn it into those other forms of mediums

  74. if you know in your 20s you were adapting that style or well it's uh it's part of

  75. becoming a better artist it actually the the method that i have gone um that i have put

  76. together has not to do with just caricatures it has to do with any art form in fact and you can

  77. attack whatever it is you do with this for the reasons of betterment and the reason the ways

  78. that you can create something more efficiently so as to say okay yeah you can draw fast but you

  79. could also draw very fast and still be slow and uh not many people would understand that until

  80. you're like right there watching it okay you can draw an eyebrow let me just say that you can zig

  81. zag all the way down to the end or you can just go you know two marks or one mark and be more

  82. efficient and therefore faster there you go yeah it's like like speed running that makes sense like

  83. you find little ways to chip off and be better that's a big thing my listeners are all into and

  84. the theme of the podcast you know when we talk about reframing failure and looking at how you

  85. can incrementally get better you know it's always people see people think you got lucky

  86. and at 2.2 million subscribers there's no room for luck there was a lot of focused and

  87. challenging things to go along that way you know so what can i say about the growth on social media

  88. it has been quite the long road people believe that i started you know maybe a year ago to

  89. post my content but in reality it was like this since 2012 and that we're talking about what uh

  90. 12 years now yeah you know and um so it's it's been a while i've been around a while just um

  91. the focus and as uh has changed as the years go but also the social media platforms have changed

  92. where it's it's changed so fast where instagram used to be for photos only you know and now it

  93. has you know videos and and even x additional photos not just the one not not even squared

  94. also rectangle and all this stuff but uh just a matter of learning you're learning to use the

  95. platforms is is um one of the reasons why where um it took me a while to adapt and i wasn't

  96. attacking it as a business i wasn't uh i was just thinking oh this is fun because people surely want

  97. to see my work because i'm good you know and at the beginning i really wasn't all that good but

  98. I did draw things quickly and that draws people, coincidentally, draws people over to me because they want to see things done, you know, in a quick fashion, even though it may or may not be just like the person is a cartoony and stylized way, which is cool, you know, and and having it done quickly, it draws people over to me.

  99. So that that brings people this my way.

  100. So how much of it after you won, then we'll talk about the championship in the road to world fastest. But was that well, first off, how how much of your following came after that? Or what did that do for your boost and engagement?

  101. I'm glad you mentioned that in that way, because I knew that I was fairly quick compared to some of my peers that would work around me.

  102. At the beginning, I remember being the slowest.

  103. I know that I tried to do certain things and I would mess up, you know, and I would.

  104. but i was not thinking about you know oh i messed up i would just work those uh mistakes into

  105. something that was actually part of the drawing um so it's as if i'm masking the uh the mistakes

  106. so that it would look a certain way and in doing all these things i would see my peers just draw

  107. so fast just knocking one after the other and I was so inspired you know um well during that same

  108. time I would watch them so intently then that I determined and that I that I realized that there

  109. were certain inefficiencies even through their speed they were doing things in a way that would

  110. actually take longer just because their order of operations was different than what I, you know,

  111. what I was thinking. And that could have been, you know, a little better. And eventually I would

  112. take those, not only my failures, but also other people's mistakes and approach to things. And I

  113. would develop my own. And that's where we have gotten to this point now where just remembering

  114. all of those um new ways of approaching it and and trying to train my hand over again

  115. you know sort of detrained you know you know went back on what i knew uh when i was trained

  116. so that i can follow an order that i developed new way yes that's awesome man so how intentional

  117. was it to become the world's fastest did you set out and say this is what i'm gonna do and like

  118. trained for that what was that like oh man i did not know that that title existed until maybe

  119. five years into my career that you know there's something called isca which is the international

  120. society of caricature artists and they do concerts of all kinds um for different categories and

  121. you know uh and and is the international convention at which they have all the artists

  122. come in and they change the location each year they they come into this one location and we all

  123. compete on an all-out war to be the best at each of the categories and uh so when when that took

  124. place that there was that i realized there was such a thing you know i started to be a little

  125. bit more lively with the work of character and a little bit more intentional um you know sometimes

  126. when you do some certain things so many times that you believe you're so good at it you know

  127. and and then you see someone else do it a different way and you're like oh my god that's even better

  128. and you know absolutely that realization right there would really stick and through those

  129. processes i realized that i can do the same thing for social media where oh okay well if if i'm

  130. learning this way then i might as well look at other creators that are doing something similar

  131. to me and okay well if if they're doing that then maybe i can adapt to how can i adapt it to

  132. my world um so you know as to say you know you're you know you're you're not stealing the style you

  133. know you're stealing made mainly the the the flow so that you can use it in a way that would uh

  134. look like your like it was meant to be for your craft right so um i remember before i won world's

  135. fastest um i looked at okay you know if i'm fast let's be as fast as we could so i focused on those

  136. little details of being as efficient as i can then you know and um and i would participate

  137. you know in the conventions and wouldn't quite get it so i actually you know had videos of me

  138. doing the the work that i you know the way i would do it uh and and and as efficiently as i could

  139. and i i didn't quite hit that mark of of being world's fastest like the first place i got

  140. you know third and second place and but but not first place yet and how so i asked

  141. you know the world's fastest you know how are you getting people off the chair so fast and so he

  142. gave me that one tip that took me over that hump which was a millisecond of of something so simple

  143. you know and that was the secret to to get me to the next step and so there's one thing that you

  144. can do if if you really feel defeated you know and you don't know how to do certain like what it is

  145. that is is taking you to the next step if you're probably a knock away you know just just not go to

  146. that door of the person or company that you feel can take it to the next step and ask questions,

  147. you know, um, they don't, you know, the people who want to help will always be kind and especially

  148. when your colleagues and things like that. And, um, I'm very thankful, you know, a shout out to

  149. Steve Doris for that. You know, he gave me that one tip, you know, that, um, you know, got me

  150. over that hump which um which eventually allowed me to to get to world's fastest characterist

  151. that's crazy yeah yeah it's it's insane it's something so simple you know and um what i

  152. realized is everything counts and we were talking about this where you know you're streamlining

  153. each part of the process how can you streamline moving this up well you get closer you get closer

  154. so that you can actually get to it you know you don't have to you know or you could just have your

  155. hand on it now you could just move your fingers and just like that you know those those little

  156. milliseconds that you're actually you know cutting down you're becoming faster as a result yeah so

  157. yeah you have a good understanding of the whole process the way the human brain works with mastery

  158. you kind of you get to a point in the beginning like even with learning a language first you're

  159. learning the syllables, and then you start to put together words like you're not writing essays yet.

  160. Like you can, you can have a conversation and speak sentences without being able to put together

  161. an essay. But as you go further and further, you can now analyze the process while you're doing it.

  162. Like you're not using your brain to learn that part, you know, you, but it takes a mastery of

  163. that whole process, you know, or like you said, what are you doing a whole lot when I'm editing

  164. the podcast there's it takes two buttons to erase time between parts when i'm making clips and

  165. instead of holding shift and hitting delete i programmed it to one key and now it's just boom

  166. but that's half the buttons that you're pushing you got to look at it like that like little tiny

  167. bits can be big bits of progress you know it's not all about slow just because it takes long

  168. doesn't mean the process has to be boring and slow the whole time like every time you level

  169. up along the way like that's the awesome part about progress and even failure you know you

  170. level up you learn something it's like oh you know i did you go into you go into battle thinking you

  171. know absolutely everything and then you see something happen you're like oh okay right let

  172. let me shift yes you pivot that's one thing that i learned through the growth of social media is

  173. you want to when you when you are going in a certain route and you feel like there's just

  174. not enough for you to get over the hump you want to pivot and into something that you're super

  175. more knowledgeable about or super focused on um passionate about um right and um i i feel that

  176. going fast is you know something that i've learned through other artists which i you know

  177. have seen people draw a full full color face and body in like two three minutes um and and

  178. sometimes less and i just don't understand how that would work at the beginning and now i'm just

  179. It's like, oh, OK, it's a process that you get used to so heavily that you don't have to think about it, because ultimately what we stop to do is what?

  180. Think. Think. Yeah. Hesitate. Mind you, we think how many thoughts per minute, per second?

  181. I couldn't tell you. Yeah. Thousands. And so so even if we think so fast, if that's slowing us down, then that means we need to not think.

  182. so we need to be so ready so used to the motion that we just do it and in fact that's the way

  183. martial arts works isn't it yeah no absolutely all sorts of training yeah wrestling uh any of

  184. the martial arts you know we talk about how many times you drill it and you drill it with intention

  185. it's funny this whole time that you're talking about doing things over and repetition i was

  186. comparing it to jujitsu like you know i was like this whole time i'm thinking about that but um

  187. yeah you even as you go higher in the belts like i said putting the sentences together you know as

  188. you go higher in the belts you know when by the time you're purple belt brown belt you know you're

  189. learning sentences while you're talking like while you're rolling whereas in the beginning when you

  190. role you're just trying to stay alive like you're just focused on whatever's right in front of you

  191. you're not thinking three moves down if he's gonna do this but i like the process of putting

  192. everything together and i you apply that the same thing you can apply in art you apply to life and

  193. to business it's you know um even just the cohesion of how everything has to relate together

  194. applies completely to business you know i think about whatever whatever it is i try and do you

  195. know in this art world and this business world social media and so on the way a tree would grow

  196. you know there has to be roots first for it you know a base for that tree to grow and so if there

  197. is if you're not tackling the basics heavily you know and and realizing and making adjustments

  198. there that you can then use to grow you're you're not working on the right things mind you you know

  199. just like i tell my peers where let's just say i want to train somebody to go quickly i actually

  200. do tell them to go slower because i want them to feel the control of what it what it is like

  201. to do that motion and then once they have that motion the obvious thing to do is to go faster

  202. you know the next step would be to go a little bit you know so not only are you more efficient

  203. now you're extra efficient just go left to right and you're able to do that quickly now you're

  204. able to control the muscles in your hand to do that now we're getting to an entirely different

  205. level that you can actually apply towards painting you can apply it for you know applying like a

  206. camera i mean videography like holding the camera you know if you practice the movements you know i

  207. used to carry my camera around and just film just practice tracking things cars going by things like

  208. that you know you get used to moving that camera without thinking then you can have more of a vision

  209. on where it's going you know i mean i definitely control the gimbal different now than when i did

  210. five years ago like we expected it to just do its own thing at one point right like oh yeah this is

  211. gonna be so good it's gonna be so steady and we thought that it was the machine but it isn't it's

  212. the actual user in it yeah no there's there's a lot you could tell the the difference between it

  213. like i remember when i first picked it up it's it doesn't feel as steady as you get used to it you

  214. get used to the weight but that's a that's that's amazing you know you don't realize how many things

  215. go into drilling in practice like you know you know you need 10 000 hours to do something but

  216. it's also amazing that you're able to split the time up and think okay i'm gonna set a camera up

  217. and how do you do you get the people to agree or do people sign a waiver i had people signing a

  218. waiver for a long time uh these past couple of years um it it became a time consumption you know

  219. from my the craft and the you know uh production side of things where you know we would have to

  220. wait for them to finish and if they didn't want to do it then we would just not film their face

  221. in it no we would just focus in on the caricature itself because my art i can record all i want

  222. yeah that makes sense and um but you know yeah having weaver is good now i just ask on camera

  223. hey are you guys okay with me recording and if you would you know and i put it on social media

  224. is that cool you know and so you know that's just a little bit you know it's another way of

  225. streamlining right uh the whole process where you know i'm recording on camera hey if they don't

  226. want to be recorded they don't want to be posted ultimately i don't i don't i start over i point

  227. the camera towards the uh caricature itself the piece of paper and um just record the artwork

  228. the process oh man yeah it brings me to the question how many people know you're following

  229. before they agree and just think oh yeah you can post it on social media right oh my god

  230. minute and there's 70 000 views it's insane yeah no and actually uh there has in the past uh five

  231. six years is when i've gotten the most like oh i know you uh i saw you on facebook i saw you on

  232. tiktok oh that's the guy from youtube oh yo i follow you on instagram and it's just insane i

  233. still can't believe that that's a thing like oh oh uh awesome i'm so happy thank you i'm glad that

  234. you supported me you know and and you're coming out here and people recognize the logo and things

  235. it's exciting is you know it's uh it's something totally new for me i you know have always you know

  236. felt awesome about you know uh you know like look at me because i do cool stuff you know as an

  237. artist and and also because the more eyes on what i'm doing the more you know business i would get

  238. you know presumably right and so ultimately so that I can provide to the family that's that's

  239. that was the main drive you know is uh to help those who help me get to where I am today so

  240. you know making money is a thing but you know the more attention that I would have for you know the

  241. artwork and uh and and that's where I realized that I needed to just get better at art you know

  242. it couldn't just be the same thing at one you know point or another even if it's just that one or two

  243. people that say oh he's using he's just drawing the same face you know and just changing some of

  244. the things and i was just like ah i don't want people to just you know i don't want i don't want

  245. my art to look like that you know i want my art to be better to be you know more customized and

  246. you know uh look like the people and of course that's what caricature is uh like we have to get

  247. that likeness we have to get you know the the cartoony aspect the funny aspect you know and

  248. do it in a timely fashion because there's a line yeah you know there's a line that people you know

  249. who want to get drawn who want to get that experience you know of of being together in

  250. their caricature and starting a family tradition and so um you know i did it not only for my family

  251. at that point when I realized that I could just draw someone quickly and still capture likeness

  252. then I knew I was at a certain level that I can you know really create something special for those

  253. who would visit and who would get a caricature done so starting new traditions you don't want

  254. to take too long because there's other things to do you know there's food that they gotta get and

  255. you know games that the kids want to do before they get impatient i gotta draw the kids first

  256. and um you know it's been a learning curve for a lot of reasons you know and uh every little thing

  257. has a great power and that has a lot to do with it being part of the basics when you really stress

  258. the basics you're going you're you're building you're you're creating something that is solid

  259. that you're you know mastering and we were talking about thought and how many thoughts we have

  260. but the more important thing for me which is where i mentioned that doing that i encourage

  261. doing things slowly at first is because i want the memory to be built and that's the basic for

  262. me is is the bare minimum you know you want to increase your memory power so doing something

  263. slower would get you that motion those muscles to you know be to where they need to be there's

  264. two types of memories in there you know the mind and the muscle memory so you know we're training

  265. both at that point and that way you have a solid understanding in less time which then builds your

  266. normal memory not only for that motion but for everything else so um having ideas ever thought

  267. of an idea and you're just thinking oh man this would be awesome but then when you get to the

  268. computer you kind of forget some of it it doesn't come out quite like that initial thought which

  269. you thought it was just amazing that's the thing right there where we're talking about memory you

  270. if you can just harness the power of memory you really don't have to do as much you can just

  271. remember it more and all you have to do is then put it together directly from the mind

  272. sick sick man sick you know and i'm thinking of skateboarders i'm thinking of all sorts of people

  273. that have that fluidity that you that you go and that's always been uh you know attractive

  274. but it's it's interesting i i had to ask i want to kind of shift gears but i saw you had posted

  275. something about like what you focused on before you focused on speed and you do these like wacky

  276. faces with like the chin like they're like distorted i'll have you send me one and i'll

  277. put it up on the youtube video i gotta i gotta look into go back into and check that out too

  278. because you know sometimes you do some things and you know uh you do it for a period of time and

  279. then something else comes along and you just you know that's another shiny toy you want to

  280. go and and you know practice that then and um so so that's interesting you mentioned that but i i

  281. did want to mention someone that is really taking the memory game to an entirely different level

  282. and i'm sure you you've heard of them because you know we're talking about a musician a freestyle

  283. artist called harry mack i don't know harry mack oh my god listeners are gonna get pissed at me

  284. they were mad oh my god so here's the thing you know harry mack basically takes three words from

  285. the people that he's you know doing an interview with or you know usually on on the website on

  286. you know he would do these and he has his camera set up and everything he does freestyle based on

  287. the three words that they give okay but he also goes into a tangent on on the word itself he does

  288. he gives detail about that word and he rhymes it and he does not forget the other two words

  289. sometimes it's more than three words and so on so i find it interesting you know that you know

  290. a freestyler is is really really thriving right now he's as far as i know the best freestyler

  291. on the planet because he literally remembers what he's seeing and uses it and remembers what

  292. how they reacted and uses it in the freestyle and intertwines it with the flow with their words that

  293. they provided and um that's powerful in that we're talking about memory because you can apply that to

  294. so many things because that's that's what we are we're human and if we can't remember something

  295. then then what's the what's the point we're not really living and uh that's another reason why

  296. people get a caricature done is because of memory they want to as soon as they see that caricature

  297. they just like remember the time when they sat down and had that experience with the family

  298. had that experience with their significant other um for themselves and they you know it's a

  299. nostalgic thing also it's like a you know obviously a comedy you know comedic effect

  300. where people come in you know they have the caricature on the living room now we're talking

  301. about it's an icebreaker you know something people ask about it exactly i mean something

  302. that you they can immediately you know talk about and just be comfortable you know and get more

  303. detail about it and move on to the next thing from there which is just amazing to me definitely

  304. you drew one of the ones in my uh office over there i don't know if you saw them when we came in

  305. i didn't see either one i think you drew jayden or you drew me or jayden one of them i have uh

  306. couple different artists up there as i got my family together but i hang the character artists

  307. it's it's a level of fun and i think what a lot of people want you know everybody wants to be a

  308. content creator and like you said i'm glad you're honest you know it feels good when people say i

  309. saw this or this inspired me you know but they don't see the work that comes with it they don't

  310. see you know um how you would call like uh the work it took to get there the work it took with

  311. the passion that you have to have for it like you know but the one thing that people do want to

  312. emulate is the the funness the fact that we can be here in t-shirts and talk about creating memories

  313. and doing so like you said it is something that's cool i think all content creators you know um i

  314. was just at uh online seminar and they were talking about how every content creator should

  315. be rich and it was all sorts of tools for people to be able to monetize and you know different ways

  316. to support artists you know some of the greatest artists aren't the best salesmen and they don't

  317. have as much work as you'd think they'd have you know yes um maybe there's tons of people that have

  318. been doing that freestyle stuff right uh you know there's just no cameras on them i don't know

  319. but that's true that's true i have seen some amazing artists that are not getting recognition

  320. or or people just don't know enough not enough people know about them although they are

  321. incredible you know breathtaking artwork and everything and i find that if it is all about

  322. the basics you know um when it comes to business you have to be able to put the word out there

  323. without being shy um stepping out of your comfort zones are is going to you know take you to places

  324. that you've never been unless you step out the door outside there's no way you could have an

  325. experience of having been outside and and be able to go with the motions you know be able to you

  326. know wear a raincoat you know when it's when it's raining or a coat when it's cold and so on

  327. because you didn't know you just so this is where it actually comes together where we talk about

  328. all of the basics you know to me memory is the basic you know you increase your memory

  329. and you can create anything you want because you're you're solidifying a base that will help

  330. you in the long run and it will only get better because you're using it where we talk about okay

  331. oh i'm just gonna check out these videos for like five minutes you know that five minutes that you

  332. spend on your on your phone scrolling is actually diminishing your memory ever heard about that

  333. i believe it i recently heard something about digital dementia you heard something about that

  334. where you know we're in an era that our attention span is so low that even 20 seconds

  335. is is the most attention that somebody can give you out of the younger generations right and that

  336. has to do with memory because just as you go like this oh i saw this video okay by the time you

  337. scroll twice you're already forgetting what you saw at the very beginning within that five minutes

  338. So if you continue to practice forgetting, you're going to increase your memory at forgetting.

  339. That's wild.

  340. Yeah.

  341. I never heard that, but it makes a ton of sense.

  342. Yes.

  343. I just never heard it.

  344. I never looked at it like that.

  345. I'm going to take a, I mean, I have to, maybe I'll make a separate account just for the

  346. podcast clips because people consume the clips and it gets visibility to people listening

  347. to the podcast.

  348. but i could use a break from social at least from my own just i or do post and ghost write out a

  349. bunch of content post it but not you know only engage to that it's when i'm scrolling and looking

  350. at other people's stuff and commenting on dumb stuff and they're talking about you walk into a

  351. room and there's a chicken a horse and a giraffe how many legs are on the table from the bed

  352. and like i'm like what am i doing like what am i doing my life but it's uh it's nice like when

  353. when i have a video rendering like i was working on cutting clips earlier and i see uh it'll take

  354. three minutes so so you take that time to jump on social media and you know check things out how

  355. things are going and everything well i find myself if i do go and check the social media i'll be like

  356. why am i doing this and i'll do like uh like i have a little math game going that just adds

  357. numbers and you do some multiplication and then just go back and like it keeps adding while you're

  358. gone and you try to figure out how much like it's just something to distract where you're still

  359. exercising you're still in that zone you're not you know because unless the computer dings you'll

  360. It'll be rendering 30 seconds and you'll be there seven minutes on the phone.

  361. But yes, it's.

  362. Yeah, you just like anything else, you got to practice not getting distracted.

  363. Like you, your mind has to be able to tell you just like the way you get used to in school.

  364. Sometimes you wake up before the alarm goes off.

  365. You got to be able to, you know, train your mind to have the basic of, OK, 30 seconds,

  366. you know in 30 seconds you can set a clock for maybe maybe the next uh five sessions let's just

  367. say of social media and you do this intentionally first right so that you get used to it so you can

  368. build that habit so that by the time you're actually away from your clock you know you you're

  369. just you know scrolling and then your mind tells you oh it's 30 seconds oh okay i gotta put it down

  370. intentionally do that you know put it down and that way your mind remembers okay and after 30

  371. seconds of starting to scroll and not do much put it down it's a way of saying to yourself okay you

  372. know i gotta take that next step of stepping not not get so distracted in that because i'm gonna

  373. be honest with you the other portion of this memory cycle and thought process is is being bored

  374. what happens when you're bored that's when the good ideas come what happens when you're showering

  375. what happens when you're driving when you're relaxed and that state is going to bring if you

  376. practice being in that state of mind you're now you know your boredom becomes your fun zone

  377. you know where you're actually like creating something in your mind and because you've been

  378. building your memory now it'll all of a sudden you have an entire project in your mind that you

  379. can then execute as efficiently as it can be because you know exactly what needs to be because

  380. you remember it ah man i love this stuff you hear that ladies and gentlemen where's the camera

  381. practice being bored heard it from alan ej that's great man um i can say you know just going back

  382. to the social media aspect and how i went one of the world's fastest i mean man that that was such

  383. a an incredible experience but you know i attacked doing social media um the most after i won world's

  384. fastest caricatures i really i literally didn't want to put my videos up anywhere until i won

  385. world's fastest because i felt that who that you know who who am i who who are you know people are

  386. just gonna say who are you you know yeah we don't know who you are what have you accomplished with

  387. these things that you're showing us you know why why should i listen to you and so for me you know

  388. i felt that i needed to have a a solid um what would you say prize uh a solid yeah like accolades

  389. accolades yeah i love that um so that you know the credibility would be higher and ultimately

  390. i i also didn't want to uh you know so so just take it back a step my project was to promote my

  391. my instagrams as you know the world's fastest caricaturist and how would i do that unless i

  392. had the title so that's where i you know really focused on it you know did the research for it

  393. so that i can get those basics remember them long enough to then execute it efficiently and that's

  394. what's been happening thankfully um and we talked about building memory so now we're going to just

  395. move on to something simple that comes from having that memory and it's noticing how would you

  396. create something like the other person that's succeeding you know for me you know just like

  397. you know uh the when i when i started doing caricatures i noticed those things that were

  398. just a little bit not as efficient as it could be to be able to put it into practice so i noticed

  399. that okay this creator does it this way but this creator does it this way but they're both

  400. successful so you know then you would create something for you that would emulate each of

  401. those the same piece of content can be you know used for different styles of editing and of you

  402. know storytelling you know and the workflow on that so for example mr beast just uh the one thing

  403. i've noticed about his the first three seconds you know he says exactly what is happening and

  404. it's something so impressive that they even put the captions at the bottom in the first

  405. three to five seconds of what is going to happen and people stick around because it's

  406. so ridiculously yeah you have to see it yeah yeah but what's interesting is because of

  407. our attention spans being so low we have to continually remind the viewer that oh later

  408. around we're going to da da da and and now for you know the process of this and now you know

  409. we're talking about a step-by-step throughout you know a little bit of a step ladder you know

  410. we're going up the ladder and we're going to get to the prize at the top and and that workflow of

  411. catch their attention you know do the intro and then you know basically tell the people who you

  412. are a little bit you know at the beginning you have to kind of remind people who you are nowadays

  413. you know just put it in the in the bio you know but uh and people will know who you are but

  414. ultimately do the three seconds and then tell a story and keep reminding them and then get to the

  415. prize so that's one thing that i have found um that through caricatures the big reveal and what

  416. people think of the caricature is the prize uh yeah and uh i i thought initially that the prize

  417. would be to watch a world's fastest caricatures which was my niche you know caricaturist and

  418. drawing them fast the process of it coming together because that to me that was my soul

  419. which was to create every stroke intentionally and smoothly and efficiently but what people

  420. thought about the caricature and you know the way that they reacted to the caricature and the way

  421. they showed their emotions on camera of how they felt by seeing it was even a bigger prize that I

  422. wasn't realizing that the viewers would want to see so it was uh once i learned this i made sure

  423. that i kept each video as short as i could which means you know drawing as fast as i could and

  424. therefore the other processes i had to get better at and then i was able to show that process and

  425. and that delivery of the prize at the end as as the the cup you know the first place cup like this

  426. is what you came here to see the reaction to this here it is and and people just react oh man uh

  427. people have even said that they're not even there to see the reaction it doesn't matter to them some

  428. people don't care about that some people don't care about my intro some people say they skip

  429. before it gets to the intro just but you know which is like which is a problem so anyway

  430. but seeing the process now we're talking about okay that you know efficiency from one line to

  431. the next that i would that i would try to you know create have as my process is soothing and

  432. satisfying which you know in the past few years we know those have been major trends

  433. oddly satisfying you know and so smooth yeah and it calms you down huh i subscribed to that on

  434. reddit i was watching somebody vacuum it's just so soothing oh my god look it was dirty now it's

  435. clean whoa amazing i want that vacuum you know but sometimes it's just the way it's done it's not

  436. the tool but rather the art history and uh and in fact the camera angle and everything and that's

  437. the kind of video i also came across that allowed me to realize that okay people want to see the

  438. process and that's where i thought was my niche but really um it's it's a mixture of things now

  439. that i realize are within one section of a video besides just the reaction and the process and and

  440. the the catchy three five seconds at the beginning uh as the hook so the combination of these is what

  441. makes content that really you know captures the attention and keeps you watching keeps you

  442. interested so that you can finish the video and and feel good about yeah what following

  443. following that creator so that's where i i realized okay why are people going to follow us

  444. oh okay because they show the cool stuff you know that is exclusive to that niche that you know you

  445. can only you can only show mastery in something that you really care a lot about would you say

  446. that that's the most truth you know for for me i care a lot about you know people and you know i've

  447. i've used that focus to uh create my art in that way so that i i can i can portray okay

  448. the love i have for not only the people that i'm creating the artwork for but also who i'm

  449. providing to through that art art form is is why i do this yeah i can relate with that i agree

  450. yeah it's like seeing people uh start businesses i saw the data today so many more people are

  451. starting businesses now and whether it's a side hustle or just a full-out business but

  452. trying to keep up with those sorts of trends to see how it goes but being in service to

  453. uh business owners but then even just why i started the podcast you know it was never to be

  454. famous i'm not so you know that that'll come if i work but this is a hobby and i don't want to

  455. take the fun i'm not ready to take the fun out of it yet you know like having conversations that i

  456. would like to have and people do listen to the long form content you know like it's almost a

  457. different market for people looking at the shorts yeah it doesn't even necessarily mean they're

  458. going to go watch the whole episode, but there's people that aren't even watching us. They're

  459. listening to us on an audio platform. I think it's so cool to be able to be where you choose

  460. to listen to it. You know, I don't watch my podcasts, but some, you know, the analytics

  461. show a lot of people tune in. Now, whether they're watching and seeing our hand motions or

  462. whether or not they're just listening or they have it through a speaker,

  463. you can't really tell that through the analytics but it's curious you want to make you know you

  464. want to almost please everybody but it's either video or audio you know you can only be good at

  465. one or the other that's interesting because it really does it really does show you that you are

  466. more advanced than the technology that you're using to get to where you want to go so you know

  467. I've noticed that the platforms that I'm using, Oh, okay.

  468. I can do certain these things. Okay. I can do that. I can do that. Oh,

  469. what else can I do? And I keep searching. And to the point that I realized,

  470. Oh my God, I, I can't, you know, simply, you know,

  471. which is supposed to be, you know, crop this thing, you know,

  472. so you start to really,

  473. you start to hit walls when you're that hungry for information and,

  474. and able to remember what you don't what you what you know and then use that to find out what you

  475. can't do and and don't know um so i i can tell you i'm i'm growing on social media um because

  476. um something we haven't uh mentioned and this has to do with consistency oh man that in itself

  477. will increase the likelihood that you that you're going to be more efficient at something

  478. because you're you're then noticing but that's the repetition of it all that's what i'm trying

  479. to get at um the repetition you know the consistent you know i i'm doing this right now

  480. like you mentioned being in the present you know you consciously do something so that you can

  481. committed to memory you know you get up in the morning you go to the gym you then go to work

  482. and in that work you do what you need to do you know such as talk to people sit them down you

  483. know you run the transaction you know you or you run the transaction with cash or and and these

  484. process processes would then create the consistency for that workflow when it comes to social media

  485. you know it's it's from the angle that you're pointing the camera to when you actually start

  486. being in front of the camera and executing what it is you need to do you know let maybe we should

  487. use another you know and creating you know what you need to create you know just use a little bit

  488. of different connotation on that um now you're creating the habits that are going to serve as

  489. the basics to build upon the and i this is something i haven't mentioned you know that

  490. consistency should actually go all over your business you know i'm not saying work every day

  491. forever what i'm saying is realize the processes that you absolutely need to do do those things to

  492. the best of your ability do them consistently so you could get faster at it you don't have to think

  493. about it as much and ultimately create a platform now mind you that word platform is heavily used

  494. for the social media platforms but the platform the main platform that is your focus is you

  495. is you getting better at using what you have and and putting blocks underneath you as the basics

  496. to pull yourself up well said man got a wealth of knowledge for content creators i don't know

  497. if there's anything specific you want to say to people you know you got a lot of eyes on you it's

  498. the number one thing that people that kids want to be when they grow up you know is what you do

  499. and what you've accomplished, you know, so you definitely have to sit back and be grateful for

  500. that. But you have any, any like, uh, closing words? I'm very thankful to have gotten to where

  501. I am, but I know that there is a lot more to do. Um, I, all I can say is, you know, stay consistent.

  502. The more consistent you are, the easier it is for you to realize the additional things you could be

  503. doing and your time opens up when you do things efficiently so that you can do more with in your

  504. business or do more with your significant others have more time you're you're basically up

  505. shortening the time that it takes to do your work so that you can actually enjoy life and be

  506. in the moment in the present that's an awesome goal for sure for sure

  507. shout out your socials where people can follow you and my socials are mr alany j that's mr dot

  508. alany j that's on all social media that goes from youtube tiktok facebook and instagram

  509. as well as snapchat so go check us out on all those social media um i post videos that are

  510. different on each of them and i also have a subscriber for members only uh on three of them

  511. tiktok facebook youtube oh yeah and and instagram so instagram there you go so definitely go and

  512. subscribe and check out the content that we put out there that you you know for exclusive content

  513. check those out be sure to check that out all right thanks for tuning in guys peace don't lose

  514. thank you for listening to another episode of i will not lose podcast to support the show visit

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  519. Thanks so much.