Artwork for Design That Speaks to the Soul – Real Talk with Creatives from Real Estate, Automation & Design

June 9, 2025 · 1:05:50

Design That Speaks to the Soul – Real Talk with Creatives from Real Estate, Automation & Design

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In this bonus episode, Tony Ortiz brings together professionals from intersecting industries—home automation, commercial real estate, and interior design—for a conversation on the emotional power of aesthetics. One guest leads a family-run smart automation company. Another is a commercial real estate expert, joined by her daughter, a passionate interior designer and photographer. Together, they explore: • How design creates emotional resonance • The role of legacy and family in creative industries…

Episode notes

In this bonus episode, Tony Ortiz brings together professionals from intersecting industries—home automation, commercial real estate, and interior design—for a conversation on the emotional power of aesthetics. One guest leads a family-run smart automation company. Another is a commercial real estate expert, joined by her daughter, a passionate interior designer and photographer. Together, they explore: • How design creates emotional resonance • The role of legacy and family in creative industries • The challenges and nuance of designing commercial spaces • Why aesthetics and intention still matter in a fast-paced world This isn't a tutorial—it's a tribute to the soul of design. To Donate to Exodus Road: strengthnlove.org Strength N' Love Foundation is looking for volunteers. Reach out at strengthnlove.org Home Interiors By Anthony Giaramita Beakman Automation Owner: Frank Giaramita Motorized Shade and Cabinet Partner: James Aravena Websites: strengthnlove.org homeintag.info beakmaninteriors.com/drapery 261 Broadway Huntington Station

Transcript

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  1. What's up, what's up, what's up? Good morning, good evening, good night, good afternoon, whatever time you're listening in.

  2. Appreciate you listening into this following bonus content, which is a little bit different from our normal success learned from failure.

  3. It's a conversation that I had with professionals that I respect and work with.

  4. And it just was a conversation on the phone that kept leading to saying, hey, you know, we need to document this.

  5. All of us are professionals in design and some write.

  6. The conversation is featuring James Aravena of Beekman Automation Group, doing window

  7. automations for high-end houses out in the Hamptons and things like that.

  8. It's featuring Lisa Marie Miesler, a commercial realtor out here in the Lehigh Valley.

  9. And it's featuring her daughter, Jaden Lyon, who has an interior design degree and has

  10. done the photography that's featured in the beginning of this episode.

  11. We speak about how design moves the soul and how in many different mediums, people that don't even have to appreciate design can benefit from the fact that something was thought about.

  12. We explore the multi-generational business of Beekman Automation that started with immigrating to the US and Frank built a business that grew into an international business.

  13. we speak about how marketing and things just move to move people to action and we promote an event

  14. which has been postponed this has been pre-recorded but it's for exodus road and preventing sex

  15. trafficking here in the lehigh valley lisa's strength and love foundation is still accepting

  16. donations through strength and love.org it's live you can donate to exodus road and we speak a bit

  17. in this conversation. So it is along the lines of what my listenership would enjoy, although it is

  18. slightly off theme. So we're going to call this a bonus episode in between our hiatus and we'll

  19. return soon. Thank you for listening. What's up? What's up? What's up? Good morning. Good evening.

  20. Good night. Tony Ortiz here with I Will Not Lose Podcast. And we're doing a little bit of bonus

  21. content for you. I have some people in my network, really, really big heavy hitters, both in business,

  22. both in design. So we have a few experts that are going to speak kind of about how design speaks to

  23. the soul while it's important. And it's really just a conversation. We've had these conversations

  24. over the phone and they go on for half an hour. We said, Hey, let's, let's put this together. So

  25. we're going to go around and kind of introduce ourselves. Um, we are in the three West broad

  26. building, beautiful downtown Bethlehem, um, have people joining us from New York. So this is good.

  27. we'll start ladies first and go around this way all right so i'm jayden lion um i do photography

  28. i do interior design i just recently got my degree in interior design um yeah i mean that's what i do

  29. awesome awesome hi lisa measler i'm a commercial real estate agent in lehigh valley uh jayden's

  30. my daughter. So that's, this is my, this is my greatest accomplishment so far. Her brother,

  31. she's got a twin brother. I actually rep the building that we are in and we'll, we can discuss

  32. that a little bit later on. And then you'll be introducing James, but James is one of my clients

  33. as well. Yeah. Yeah. Thanks for the short intro there, Lisa, but I'm James Arvena. I'm from

  34. Brooklyn, New York, and we're in a whole bunch of different businesses, but we're doing a lot

  35. of interior design work. Um, we have a company based out of Long Island where we make custom

  36. furniture, window treatments, things like that. So, you know, we're, we're deep and dirty into

  37. the, into the inner workings of design. And then, you know, like Lisa mentioned, we're in real

  38. estate as well. Um, so yeah, let's go, let's get into it. There's plenty to talk about. So I'm

  39. excited to be here. Thank you. Problem. And it's a family business, right? Correct. Yeah. Why don't

  40. you go on that for a little bit? Yeah. Yeah. I mean, I'll tell you, uh, there's a big story that

  41. goes along with it but uh so basically the family started it um about 70 years ago just literally a

  42. garage upholstery shop fixing people's chairs you know for a buck or two here and there and uh you

  43. know eventually grew and then frank the the owner of the company he basically took it over from his

  44. father and really scaled it into something um really great that had really great connections

  45. with interior designers and you know he really just did that by networking really you know going

  46. to things like this doing podcasts hanging out with uh the right crowd you know going to interior

  47. design events just being kind you know being nice um showing the good quality work and you know

  48. growing it into you know um a great big company doing work you know all over the country now and

  49. even uh you know nationwide and um worldwide so it's uh it's great family companies are great you

  50. know, when, uh, when you stick with family, it turns out, um, you know, everyone gets involved.

  51. You got, uh, you got the mom in there. She's sewing. She's, you know, she's 80 something

  52. years old. She's in there sewing in the morning at six o'clock in the morning, you go there,

  53. she's screaming at six o'clock in the morning, you know, then there's me, um, you know, helping

  54. out with the window treatments and this and that. And it's just, it's really a beautiful thing.

  55. Family businesses are, I think the most important thing that we have to keep alive in America

  56. because that's where, you know, um, generational wealth comes number one. And also just the

  57. experiences, the love of working in a business together is just, you know, nothing like that,

  58. you know? Yeah. I'm sure there's ups and downs, but you know, the, like you said, it's a beautiful

  59. thing. And to think less than 70 years. So one, not even two lifetimes ago, he built something

  60. from the stuff. I like to say that they don't teach you in school, you know, um, as we spoke

  61. with Lisa knows I've, we've been networking for over a decade at this point, seeing each other

  62. around, have a lot of mutual friends. And in our conversations, Jade, and I said, look, this is,

  63. this is key. It doesn't people hire who they know, like, and trust it. There's a lot of people with

  64. a camera, but they're going to want you at the event, you know, and go from there. So that's

  65. cool and the name of the business it's uh home interiors by anthony jeremyda and then my sector

  66. of the business which is the motorized shades and kitchen cabinetry is the beekman group and we'll

  67. put we'll put some tags or something yeah yeah yeah we'll be we'll have some time to drop this

  68. now what i think is interesting is design itself it'll always be in demand like no matter what

  69. generation, even in the future, no matter how minimalist we go, there'll be somebody in charge

  70. of aesthetics. You walk into this room, for those that are watching in video, there's all sorts of

  71. chartreuse and white chairs, plastic chairs. It's very modern and it has a clean feel. We're at a

  72. nice white table with teal and chartreuse chairs and a big rainbow logo uh that's the first thing

  73. i noticed so we got that in the shot i don't know lisa what is that yeah that's a power school logo

  74. so a quick history of this building i rep this building and uh power school used to own the

  75. building they occupied the majority of the building and then they sold it to larkin associates

  76. it's, it was just prior to COVID. And, uh, as people started pulling away from the office

  77. sector and doing more remote work, they didn't need to occupy the entire building any longer.

  78. So we start taking space back and leasing the space out, uh, redeveloping the building in some

  79. sense with, with the space, because it was all office space. And I actually decided to redevelop

  80. the front portion of it on broad street to make that all retail space. And, um, so Larkin had

  81. actually come in i was just i just took james on a little tour when he got here when you first

  82. walked into the building before like before they renovated it it looked like you're walking onto

  83. a brady bunch that i tell people because it's very 70s it was bright orange and it was like

  84. these ugly escalators and those in the center section there and there were the walls yeah where

  85. the cafe is out there where it's like all glass walls now that was an open-air deli it was it was

  86. pretty funky it was fun um how long ago was that i mean it was it was pre-covid it was kind of like

  87. during covid that they were renovating so it took covid kind of they were the renovations would not

  88. have taken as long it took much longer than we expected so they renovated all the common area

  89. space to make it more of a class a space put the elevators in yeah and then as we take the space

  90. back those spaces get renovated we're not really looking to put money into space that we don't know

  91. what's going to go in there so funny quick story short uh long story short um so there's stake and

  92. seals in the building i brought them down from jim thorpe area um prior to them going into that

  93. space we didn't know what to do with it was its own private little office space it's over 5 000

  94. square feet and it was old very old so we just didn't know what to do with it and it didn't

  95. market. Well, it didn't look good. And I wanted to just let it go. I told my little, I'm like,

  96. oh, just let it go. Let's see what we're putting in there. Without my knowledge,

  97. he decided to renovate the whole space into a class a office space. So they were almost finished

  98. with it when he called and told me that. I said, why are you doing that? I don't know what's going

  99. to go in there. He's like, it's cool. It's cool. As soon as it's done, you can go in and take great

  100. pictures. Like it's going to be great. It's going to be great. I said, okay. So a hot minute after

  101. they finished doing that i called him i said so i have this restaurant group that really likes that

  102. space can i show it to them and he kind of giggled and he said uh you know what go ahead and show it

  103. because he said like what are your thoughts on this i said i think it'd be great it'll be great

  104. for the building it'll be a really good draw so i showed it to him and they loved it they decided

  105. to take it and and rob was just like hand on head my guys are going to kill me because now they had

  106. rip everything out yeah yeah yeah so i mean but it's better to do that than not have it sold i

  107. guess well you know it's a great space the restaurant does great my daughter works there

  108. my son worked there as well when he was still home before he ran away to college yeah so yeah i mean

  109. it's a really great space it's a great restaurant they do very very good business and it has been a

  110. really good draw to the building so it's one of the best decisions i made for this building

  111. that's excellent do you remember style the hair salon i'm going to tie this back to uh interior

  112. design so it was a hair salon in this main i had heard about it but i'm not that familiar with the

  113. building prior to me repping it right right i didn't think you were repping it back then

  114. they were one of my clients we did some advertising and although it was a hair salon

  115. it was a hangout it was a lounge it's a beautiful space that's where yeah the um the gsa's in there

  116. now it's a beautiful space. And they had a big giant mirror. She told me it was thousands of

  117. dollars just to ship, just to get the one big mirror there, but you could get your hair done

  118. or whatever. I didn't get skin things. I just hung out to research for the market, but it just ties

  119. back to how important if somebody is going to spend thousands of dollars to ship a mirror.

  120. And now 10 years later, we're talking about it.

  121. And I remember that white mirror.

  122. The target market is not somebody who just wants a chair.

  123. Like you can put four stands together and a plank and make a stool or a chair.

  124. But to have these ones that have a groove, look separate, have some color to it, you know, it really speaks to the human soul and what we like, what makes us feel good.

  125. Absolutely.

  126. Yeah. Just adding to that. I mean, you could, you could build million dollar houses. You could

  127. build $5 million houses. If it's not properly designed at the end and you're not putting in

  128. the right finishings, it could really destroy the value. No matter if you put, you know,

  129. $13 sheet rock, or you put, you know, the $30 new sheet rock they're coming out with.

  130. If you don't put the right finishes in, it kills it because like you said, you know, the,

  131. the human mind is all about the soul, the feel, you know, you're, you remember about that mirror.

  132. people remember about a piece of furniture that's been in their history for generations.

  133. I'm sure you guys have family members, um, where the deck, there's that one couch,

  134. they don't want to throw it out. It's been like a hundred years. There's probably,

  135. there's probably like big dents in them from people sending them over time, but

  136. they don't want to throw them out. You know, furniture is kind of that one thing

  137. that, uh, that hits home for a lot of people, you know, reminds them of home.

  138. Um, and you know, getting a good quality piece, you know, especially something custom,

  139. you're going to be paying for it. But, um, in the long run, you know, that will last you

  140. a hundred years, you know, 150 years, even, um, you know, not like something you get on Wayfair,

  141. right. That'll, you know, it'll be gone in two years. You know, someone sits on it the wrong way.

  142. Um, it was actually, uh, I had an old bed. It was from Wayfair, I think. And I just jumped on it

  143. one day and the whole thing just split in half. So I was like, all right, nevermind. We're just

  144. going to, we're just going to build it out of, out of actual wood and not, uh, you know, for Mike or

  145. whatever but it's funny you know it's like uh it's incredible because these pieces like you

  146. know they'll last a long time we've had chairs come in from 1850 like we're talking like years

  147. ago gosh and we like refurbished them and the wood it's like it's there's no joint it's a solid

  148. structure like somebody made things so much different back then including houses seriously

  149. out of a piece of wood it's like the amount of hours you could spend in there you could just

  150. imagine hours and hours and hours and the piece holds value i mean that you know some of these

  151. things are worth thousands and thousands of dollars just because it has history behind it.

  152. It has love and craftsmanship behind it. I think that's what, uh, and it's scarce, right? You know,

  153. that goes back to even like finding craftsmen, you know, it's, it's tough. People don't, you know,

  154. people don't get into those trades anymore. I think you mentioned that before. Um, you know,

  155. there's not that many people going into things like that anymore. A lot of people, you know,

  156. want the, uh, you know, the business life going into, you know, working in an office and things

  157. like that less people are going into uh you know very unique craftsman jobs um that's mainly because

  158. a lot of business has gone overseas a lot everyone gets stuff from china now that's just the way it

  159. is but we're really trying to make our mark as an american brand you know stuff made in america

  160. that lasts um and i think that's really the main thing i mean we should we should all try and buy

  161. um you know from family businesses from local businesses highly agree you know get things that

  162. are, uh, you're helping out your community, you know, you're getting quality stuff and

  163. you know, the name and you know, the people that, that, uh, that made the things that,

  164. you know, you use every single day.

  165. So, um, and hope your kids will appreciate it.

  166. You know, usually once you're gone, they appreciate it more, but I think for the people

  167. listening that don't understand design and just say, yeah, I go to a nice space.

  168. So when you go to a nice restaurant, just a couple of ways design can affect.

  169. I mean, like if you go to your driving, you're traveling, you pull over on a highway, you see a diner, there's leather bound menus, a big fish tank with colorful sick lids.

  170. You're like, I don't even know if I'm trying to get a $10 meal.

  171. This probably isn't the place.

  172. Now, they could have the cheap price, but it changes your whole aesthetic, whether you appreciate it or know the science or like Jaden have a degree in it.

  173. Yes, you can get a degree.

  174. there's more to it than just picking colors and moving stuff around like there's a whole psychology

  175. um or you don't have to know that to appreciate it it's like good music you don't have to know

  176. how to make it go on some of that like did you the stuff you learned in school is not new like

  177. yeah like it's so funny because a lot of people always say like oh why do you get that like why

  178. are you getting a degree in interior design like so many people question me on that because they

  179. don't think it's something that like you should go to school for i guess um but you kind of like

  180. you learn like the history you learn a lot of history um of interior design and architecture

  181. i took a lot of architecture classes because you need to understand how everything works and how

  182. everything's put together um to then think about the design and you'd have to learn about like

  183. all the like so you need to know like fire codes and like all that stuff if you're doing a commercial

  184. design I didn't even think of that you have to learn about a lot of stuff which I didn't really

  185. like go into detail of learning that stuff they just told us a little bit and told us that we're

  186. gonna eventually have to know that yeah that picks up over time like you know you walk in a place

  187. you'll you'll figure it out yeah so you have to think about a lot more than people think like

  188. just oh I want to pick a color for that wall and this chair and that's it like you're learning a

  189. lot more um and then like I did a lot of residential work for like my classes um so we did the kitchens

  190. bathrooms stuff like that and another thing you have to really like learn about and think about

  191. is just like the flow of your design so when you're like thinking about a kitchen how it's

  192. going to function and think about oh if you're going to put the stove here you need it close to

  193. the sink but you also need the fridge nearby because they're going to be working in those

  194. areas you know in the kitchen it's all like you think about a lot of stuff that normally you

  195. wouldn't think about for interior design you know interior designers are not just color pickers too

  196. i mean there's you know inter designers take measurements into using scale project managers

  197. i mean realistically the client hired the interior designer right and if the contractor is not doing

  198. the right work or they make a mistake or something's not right something was measured wrong

  199. the client goes back to the interior designer because they're the one like it's weird you're

  200. not just picking colors you're coordinating the entire project you're making sure things get to

  201. where it needs to go you're ordering stuff you know you're picking the tile you're making sure

  202. the tile comes on time this and that um it's much tougher than than a lot of people seem i think the

  203. people at home um maybe that's something they could pick up today interior design is is uh

  204. much harder than it seems you know especially when uh you know most interior designers they

  205. like going back to the same people like the interior designers that we work with for example

  206. like those are our biggest clients that we have 30 interior designers 40 interior designers that

  207. that you know we pick up work from every year because they come back to us they know

  208. that we understand their process and then we can just coordinate much faster and they can have a

  209. you know an easier time dealing with the client and picking the and then we'll just let it you

  210. know like the client doesn't care about the measurements or what wood you're putting in

  211. they just want to know, you know, what color is the fabric, you know, what does the design look

  212. like? And then I just, I just want it. Most of these people don't have time to, you know,

  213. dilly dally around with contracting experts for that. Exactly. Yeah. And you know, it's interesting

  214. because I mean, I, I work mainly in commercial real estate recently for some reason after like,

  215. I haven't had a residential sale in seven years. Uh, I've been doing a little bit this week and,

  216. um, under agreement with two houses, which is strange, but it's funny because, you know, um,

  217. I think that most people can understand that when you walk into a house, like if you're looking for

  218. houses, right. Two main things you're looking at bathrooms and kitchens, because that's the

  219. most expensive thing to do. If it's not something that you like, it doesn't work for you or if it's

  220. really outdated. So, and it, and it does make a difference. And then like, even in your commercial

  221. space and we'll take this building for example the amount of work that went into that space

  222. where steak and steel is you know that's a million dollar fit out of course people don't think

  223. they're like oh my gosh a million dollars to you know you're renting a space but yeah it's a

  224. restaurant it's there's a lot that goes restaurants are very expensive a lot that goes into a restaurant

  225. and you know it's got there's so many things that they have to consider and right down to like the

  226. acoustics i was in a restaurant the other day and i turned to my friend i'm like the acoustics are

  227. terrible here let's leave because we're screaming at each other yeah i don't want to be in a

  228. restaurant screaming at my friend that's sitting next to me you know or the charcuterie shop that's

  229. on the front of the building here you know that was all old office space it was all tiny little

  230. rooms we had to you know everything had to be demoed and just taken down to a vanilla box and

  231. then they had to design it so it it goes it just goes deeper than most people think it does and

  232. People have a vision of this is what I want it to look like.

  233. They have no idea how to get there.

  234. No, no.

  235. So, you know, like my charcuterie board place, she had a, she had a color scheme.

  236. She had like a country theme.

  237. This is, you know, she was going on the internet and showing us pictures.

  238. This is kind of what I'm thinking.

  239. Pinterest and stuff.

  240. Yeah.

  241. No, definitely.

  242. I mean, when people hire me as an expert to design or walk, it's like people look at that P right there and it's like, okay, it's a P.

  243. it's also a single point so for that logo the pen never leaves the paper when you trace it

  244. when you go to engrave that or even put that on a piece of vinyl they cut that out of one

  245. piece of vinyl nobody thinks the little decision you make of disconnecting the piece

  246. you know i'm working on a car emblem right now and we said oh man if it's going to mount as a

  247. single piece there can't it has to connect otherwise you're mounting four pieces but the

  248. beauty of it is when somebody walks into a room your brain subconsciously knows whether or not

  249. you feel safe like it knows about panels in here a whole architect engineer like had to think how

  250. is this building going to last for 100 200 years like how can it not fall and i love that as the

  251. you know, I keep going back to the human experience, but you trust somebody with something

  252. like your home, your logo, a commercial property, interior design, even photography, the photography

  253. that you do, you can't mess it up. So there's photographing just small events and stuff. But,

  254. you know, if you have a wedding, like, like when a royalty gets married, it's not like they just

  255. go to craigslist or you know figure somebody out and go for the cheapest bidder like you need to

  256. have dealt with that pressure and you just keep moving up and up do you think your grandfather

  257. i think you said frank uh our great-grandfather do you think he was like was he just a craftsman

  258. yeah guys immigrated right yeah they're uh so uh frank and his father anthony jeremy they're um

  259. they're both born in Italy in Sicily and, uh, they came here with, with nothing basically.

  260. And, you know, they, they had a little business in, in, in Sicily. And then, you know, once they

  261. got on the boat and came over here, um, they just basically continue doing it. And, uh, my parents,

  262. the same thing. I mean, that's, uh, that's, that's the beauty of, you know, coming here

  263. to America and being able to take the opportunity that's in front of you with all these different,

  264. um, choices. I mean, you, you come here, the interior design world is, is huge just because

  265. there's, there's so many spaces being built, but I mean, just, just cutting back, um, I guess about

  266. my family. So, I mean, my parents are immigrants too. They came here in the nineties, um, with

  267. nothing, basically my parents came with, uh, they, they, they met here actually. So they came

  268. separately, but they both basically came here for a better life, you know? Um, and they came here

  269. and with nothing and worked extremely, extremely hard. And that's, you know, that's kind of where

  270. my motivation comes from into, you know, building businesses up and, and, and, you know, doing things

  271. like this and, and trying to make more friends and network is just cause I see the way my parents

  272. worked, um, you know, without the language in the back of their pocket, you know, without the

  273. connections in the back of the pocket. Um, thank God now I have so many connections through my

  274. family, um, through friends and stuff like that. But my parents came here, they had nothing,

  275. you know, they, they didn't even know where to start. And, uh, fortunately they worked hard and

  276. built themselves up and, you know, it's just, I don't know, I guess, uh, not sure how that

  277. relates to interior design, but, but no, because you have to care about it. Exactly. It's the start

  278. of the, like I was going back to before, like family business, like, you know, um, I guess,

  279. you know, there's always a good industry with construction because construction interior

  280. designer, you know, one in, um, one in one most of the time, because there's, there's always work

  281. to be done. Um, you know, even what you mentioned before with, with restaurants, you know, the

  282. million dollars to renovate a restaurant, that's, you know, that's not off the ball at all. That's

  283. very, um, true in most cases. And, um, you know, you got to look at a restaurant, not only at its

  284. food, but like you said, you want to feel safe when you come into the space, you know, when you

  285. go, you can get sushi at Nobu and then you can get sushi at, you know, just your local shop in town.

  286. And you might be getting served the exact same fish from the same distributor, but what are you

  287. getting different you're getting a different service you're getting a different feel you sit

  288. on the chair it's nice you know the tables are nice they're not wobbling over um you got beautiful

  289. lighting some there's beautiful displays that they put in restaurants um and you know that's

  290. what attracts the customer that's how you pay you know maybe two or three times the price that you

  291. would somewhere else um yeah there's some restaurants in the valley that um definitely

  292. are a step above the rest as far as like the ambience and where you are right and it brings

  293. in a different group of people and and it's um you hear people talking about it you know they're

  294. like oh have you been to such and such place it's so beautiful i love hanging out there because it

  295. feels good when when something's new people are going to flock to it regardless but i had the

  296. i won't name them because they're not in business now but i did branding for a high-end restaurant

  297. out here and, um, everything from, you know, when we were doing our market research and showing up

  298. there and hanging out and meeting the staff, there was like foie gras. Like I, I never had that.

  299. That's just not, I didn't know how to pronounce it. I didn't know what it was. And they just bring

  300. out multiple slabs of it. And after we take the pictures, they're like, eat it. And I'm like,

  301. okay i get it i see why every week or every month you re-pull all your taps because you don't want

  302. mold in the lines affecting the taste like obviously taste is big in restaurants but

  303. the leds and the lights that he did to be able to fade and everything was not cheap you know and

  304. even when you get into lighting it's like well what's the difference between the $800 one and the

  305. hundred twenty dollar one or something you know right but i think it's amazing to go down the

  306. deep holes you know this was not specifically about interior design i think it's good you know

  307. we touched on networking and things like that um and just meeting people that care when you

  308. get to i want to say it's a snooty thing like you when you have access to good food you don't

  309. want McDonald's. Like you, people want better things. And even when you get into taste, you

  310. have, I was talking to somebody, he said, I want to go around the world and taste things. I said,

  311. you'd have sommelier training. And he didn't know what that was. And I'm like, yeah, you know,

  312. level five, you're pretty much tasting for the King. Like we've trusted experts in telling us

  313. what food is good what's not from an objective you know this is from this region it's good at

  314. this time and it's just nuts how deep um i don't know if you guys are like me but some days i'll

  315. just sit there and i'm thinking like so this is right up my alley now it's like just how deep it

  316. goes like uh my background is in bartending not so much cooking but bartending taught me to cook

  317. because it's flavors that go together like like yes taste is extremely subjective and what tastes

  318. good to some is based on your culture and all sorts of stuff but whoever came up with peanut

  319. butter and jelly I don't know if it's the chemistry or the psychology but they you know like certain

  320. foods just work well so you do like uh more on the higher end but if you would do like a apple

  321. ginger or like a peach apricot or do something where you're mixing things like creme brulee is

  322. a great example where you take some skill to torch it and somebody went down the rabbit hole said

  323. this is how we're going to make and do this and there's probably somebody who like you know

  324. somebody's mom can make phenomenal food and you love it but she doesn't plate it and present it

  325. like they will in michelin stars you know there's a reason they could give you small portions i eat

  326. dinner every day on a paper plate oh my god i was just gonna go to the paper plate then because i

  327. was i there was um some facebook group that i'm in and people sometimes will be like hey this is

  328. what i'm having for dinner tonight and um inevitably it's on a paper plate and it looks horrendous

  329. right and i just said and i i'm looking at going why why are you doing that so even at home and

  330. jayden can attest this especially when her brother's around because he's a big cook

  331. everything needs to be plated properly and it just it looks beautiful you know we play everything

  332. we present it and then we sit down and we and we enjoy it i think i think i enjoy it more because

  333. it is aesthetically pleasing right you know if it looks good you like want to eat it more

  334. instead of just throwing it on a paper plate james exactly even just even just giving a oh

  335. man i'm even worse i'll do peanut butter and jellies on a paper towel if i'm like if i'm

  336. really really crushing like if i'm like okay the only reason i'm eating is because my brain's using

  337. a lot of protein because i'm designing i don't want to stop all right at least it's paper towel

  338. i eat over the sink sometimes my mom doesn't even sit down when she eats like i'll be sitting at the

  339. table like mom come sit down she's like no i gotta wash the dishes first and i'm like come on

  340. i'm like i'm almost done eating and then she's just sitting there eating while she's doing the

  341. dishes and cleaning and this and that i'm like i don't know my mom's crazy she's always running

  342. around yeah she never sits down i don't know why but even just like serving that napkin underneath

  343. the knife and fork so that somebody doesn't have to get up or having the drink on the table with

  344. empty cups so that you can pass it we use linens at home we don't use paper i i hate when i go

  345. places and people bring out paper napkins and i just kind of look at it yeah i don't like going

  346. to restaurants and there's and there's paper napkins that's the worst because you immediately

  347. think like oh this restaurant's being cheap you know the food's probably cheap well you also need

  348. 10 of those because they're paper thin yeah right oh yeah no i can't i if i'm going to use a paper

  349. napkin it has to be like a paper towel or something like that but i didn't think of getting linens

  350. that'd be interesting i did uh like fine serving for a while and i always say it's great because

  351. like without design, I said this before, am I going to die the most famous designer? I don't

  352. maybe I'll have some play regionally, definitely not world, but I've tasted food. I wouldn't have

  353. been able to taste. I have stories of a $10,000 to ship mirror. And you know, it's come up a

  354. couple of times where I'm just able to tie the conversation back to a client where it's like,

  355. and I may have said this to you when we first met, if you can get into accounting,

  356. like right out of school or early, you're literally researching other businesses and

  357. knowing what works. That's how I know I don't ever want to get into the restaurant industry.

  358. Accounting is very important. Very, very important.

  359. And it just, it gives you an idea. It lets you know, same with graphic design. You have to

  360. research so many different businesses and services. And then you find out like,

  361. just found out yesterday there's a company we lost a bit because they do very specific

  362. types of contracting like it's like a chimney hvac company so they only deal with chimneys

  363. and only a specific type of chimneys on there uh they do the the marketing for the contractors that

  364. service that niche so it's like you'll see all these marketing companies that where they're

  365. like we only do interior designers and you'd have to expect they have more

  366. research and stuff there, but sometimes it's just a niche you get into,

  367. you know?

  368. What do you guys think about marketing companies in general?

  369. I feel like there's a lot of mixed opinions about them.

  370. Maybe that's a good thing that we could touch on. Yeah, I know.

  371. And I know in our business,

  372. our marketing is really word of mouth for the most part. I mean,

  373. once you get, once you're, you know,

  374. once you're doing work for a lot of these high rollers, you know,

  375. things just get around people come back for other work you know we had one client they they're like

  376. all right i want you guys to do this house today in the hamptons and then okay next year we're

  377. going to do my my house in florida and then the year after we're going to do mine in london

  378. i was like okay you know we'll do whatever you got to do but you don't have to market at that

  379. point of course like it's just you know but marketing is definitely important for a lot

  380. of aspects i mean real estate there's you know people doing cold calling and this and that i

  381. guess that's a marketing is like one of the biggest uh benefits to real estate you have to

  382. market it obviously you've got to market it the right way it's a whole other rabbit hole just like

  383. every other profession we talked about and it's constantly changing you know um yeah i mean we

  384. always had it so i've been with a couple different firms when i was i was with colliers international

  385. they had an in-house marketing team which was really nice because anything i needed i just sent

  386. them send it over to them yeah because they do all the oms and everything and we have to have

  387. stuff like that in commercial um when i moved to another firm they were a little bit smaller

  388. boutique firm uh they had just like so and so in the office down the hall can do that for you and

  389. i looked i said that's not it's not good enough i need more than that and they hired a marketing

  390. firm to come in and start you know like doing the commercial aspect of our stuff and then you know

  391. they are working with other things with them as well is very beneficial.

  392. Well, you can have a small in-house team. That's typically where I position myself to be a 1099

  393. on a few teams. So I've seen how a lot of different marketing companies do it. And unless you have,

  394. I'd say 40 to 50 specialists in different areas, you can't do all of marketing.

  395. My specialty for one of my contracts is Google ads. And I'll tie this back to how everything's

  396. changing. Five, six years ago, maybe even 10, 88% of searches all through the internet were

  397. through Google. What do you think that number's at now? I'm sure it's much higher. 99%, almost

  398. everything. Way less. They lost a ton of market share. Really? Yeah, because this counts Facebook

  399. searches, Instagram, TikTok, Bing, like all internet searches. People used to only go to

  400. google even chat gpt took a ton of them right they hold about 18 percent and they're 18 percent wow

  401. wow that's interesting that's how crazy it dropped wow and people still spend a ton of money on

  402. google ads but think about it if chat gpt gives you the right answer crazy crazy expensive you

  403. can spend a thousand dollars in a week and get zero hits out of it if you know if you're not

  404. doing it the right way more than that way more than that no you're right and that's something

  405. I specialize in, why I say it's important is, um, I've worked on accounts where they make 1300%

  406. return on every dollar they, they, I'm sorry, 13 times. So yeah, 1300% on their investment.

  407. Um, and they've scaled up to the point where they're putting, you know, a lot of money into it.

  408. Now, a lot of their traffic brand awareness, and they're big enough that other people are bidding

  409. on their name. That's something you don't think about. It's legal to use their headline, but you

  410. can bid on a competitor's name. And if you bid higher, you'll show up above whatever it is.

  411. But is that going to be the case in five years if they don't have as much search,

  412. if people trust Google less? So as soon as you have a channel that's working

  413. in marketing, you really have to jump on it as you go. If you have word of mouth and you're good,

  414. putting something where you can showcase that expertise so you maybe have a website that

  415. doesn't sell so much it shows all the press and stuff you do and then there's public relations

  416. but it's uh it's hit or miss and a lot of agencies and this goes with anything there's a lot of great

  417. agencies small team they're at a position they could focus in on your thing for six months to

  418. two years then there's agencies where they hired a bunch of people to get the job done now the big

  419. job's over and they're not giving the proper attention to each client like there's a market

  420. advantage to somebody going with tony ortiz the designer versus an agency if they want that

  421. control and my availability yeah a little more of a personal touch than like the larger company

  422. Yeah, no, I hear you with that because the one marketing firm that we had hired at my one brokerage firm, we clearly were not the only client that they had.

  423. So it was a huge difference from when I had an in-house marketing team to hiring one because sometimes I was like two weeks out going, where is my OM?

  424. I listed this property two weeks ago.

  425. I need my marketing material.

  426. Like, oh, we're backed up.

  427. Great.

  428. But you have, you know, you start to do your job.

  429. I don't care if you're up till midnight.

  430. Sorry.

  431. Like, especially with real estate, like it's, the timing is of the essence.

  432. And I've never told anyone, you're not my only client.

  433. Yeah, I get that a lot with the marketing firms.

  434. I may throw a little thing in where I'll say, hey, I have the other line.

  435. I'll call them back.

  436. What'd you have to say?

  437. And people are usually like, oh, I get it.

  438. And then, you know, second time in the conversation, I'm like, look, you know, I want to talk, but let's push something.

  439. I mean, even for friends, when we have our conversations, they're usually, well, let's try tomorrow and it might take two, three days just to get to a 10 minute phone call.

  440. But I enjoy the conversation. I enjoy this. I mean, having this is why I get into it.

  441. This is a love. Do I want to pass podcasting down to my son? I don't know.

  442. If he shows some interest, I'll show him the ropes. But for the most part, he wants to carve his own path out.

  443. and I'm okay with that. He's like, uh, like I did music. He does music. He wants to take it

  444. further with singing. Whereas I didn't, um, he's wildly talented and he knows it, but I think he

  445. has a couple of years until he's like, oh man, there's a lot of talented people. I tell him now,

  446. like when you're 15, 16, spend the time that you have to do the thing you love. It may not

  447. make a ton of money you know but I feel like even if it doesn't work out you know at least you got

  448. to do it you could say you did it you know I don't feel like people go into design for money

  449. I feel like we've I mean if you think of the number the percentage of artists that are like

  450. at the top I mean there's digital artists now there's I don't know I'm not in the fine art

  451. world i know there's still money in it but nobody aspires to be nobody says you know i love

  452. engineering but i'm going to be a fine artist because there's money and one day i'm going to

  453. have my stuff for 1500 years on someone's wall like pure luck it's all the planets have to align

  454. i mean i i'm an artist i sold my art in the past most of my stuff was commissioned but it's not

  455. and all my friends like oh why don't you do it again because i don't have time because i'm paying

  456. bills right now for sure i would love to i've got i've have three canvases in my house that

  457. have been sitting there for five years you know and i just don't have the time to do it so yeah

  458. i mean it's literally got to be a hit you know there's got to just you look at some art on the

  459. walls and you just shake your head and you wonder why that's worth ten thousand dollars oh it's

  460. ridiculous yeah and you know you can do right so i've looked at some stuff going oh my my work's

  461. better than that and i've made thousands of dollars but i didn't sell my ten thousand dollar

  462. piece you know it's it's the same thing with like jayden's photography she has some amazing pieces

  463. but you know it's got to be like the right person at the right time that sees it yeah the the

  464. kendrick halftime and i usually don't go on current events at all oh my gosh the shot for um

  465. somebody got a shot it was a great shot was it the best concert shot i've ever seen no definitely

  466. not. Even there were some things with the coloring where I was like, okay. But the person picked up a

  467. camera because they liked Kendrick Lamar and said one day they would photograph him. So now the

  468. picture comes with a story where this was the precipice of their whole career. And I'm like,

  469. okay. So I don't know, it went viral and everyone's like, well, I want to buy a print.

  470. Maybe you kind of can run an auction off for something that worked for you, but people don't

  471. look at how many iterations things go for I mean you're pretty much engineering I mean when you

  472. are doing custom pieces I'm sure you don't just draw it up and build it and it's perfect I don't

  473. know I mean what is that like or even like installing window vinyls like you I don't know

  474. what kind of mistakes you can run into but I just have to imagine things go through conversations

  475. iterations you have to recut it you have to you know yeah i mean the there's definitely mistakes

  476. but we honestly we actually do mostly hand drawings um for the most part just because

  477. everyone's old school you know we got old guys that still work um and come to the office every

  478. day and and we just go from drawing we build and what we try and do to prevent mistakes like that

  479. as you know in any business you learn how to avoid mistakes over time is we'll have the designer come

  480. you know to the shop one of the days we even have the client come sometimes and before we put the

  481. final upholstery on before we put the fabric on um and definitely before we have it sent out we

  482. make sure that it fits we double check everything we make sure the client likes the feel of it they

  483. like the how it how it you know how how uh how their body compresses into a couch for example

  484. and and if the the the foam is the right way there's like 30 different types of foams you

  485. could use you know with different pour it like the the porosity and this and that it's like

  486. there's so many different things but you know mistakes are inevitable it happens we've we've

  487. had jobs where we sent the um we sent you know a banquette with the wrong color you know we put

  488. the wrong fabric on we sent it out and it happens you know we get a call back um and they're like

  489. you know you guys got the wrong color and you know and then there's there's two ways you could

  490. go about that you could brush it off and say whatever you know you got we already got the

  491. money like whatever or you you know you can go back you could fix it um which is what we did

  492. you know we went back it cost us you know we lost profit there obviously you know we had to send our

  493. guys we had to buy the fabric again we you know fabric is expensive too for sure um but what that

  494. led to is them recommending us to somebody else and we made you know double the money that we did

  495. at that point in time, just because we went back and we were the, you know, we wanted to stay,

  496. you know, as a good business people, you know, people think about that stuff, just like

  497. restaurants, people say the atmosphere is good, recommend to their buddy, you know, you go to the

  498. restaurant. It's the same thing with, with any type of service business or, you know,

  499. because I, it's something that I talk about with my colleagues often. Um, there's nothing worse

  500. than someone that calls himself a professional and they cannot admit they made a mistake or,

  501. or they can't admit that they don't know. I made my way in this business by people.

  502. I didn't know anything near what I know now when I started clearly. And I had a lot of questions

  503. coming at me when with clients, I wouldn't necessarily say, Oh, I have no clue. I'll get

  504. back to you. I would say it in a more eloquent manner of, I will, I will get that answer for

  505. you know we have to in my head going I've got no clue what they're even talking about sometimes I

  506. had to look stuff up like what what does that mean and I just but you know I it was like fake

  507. it till you make it kind of thing of course for sure but I never pretended that I knew and I never

  508. gave them an answer just to make it sound good and even today you know if I make a mistake I made a

  509. mistake on a contract yesterday you know and I saw it and I and I did I called them like hey I just

  510. noticed i made this mistake you know we need to correct this the difference is even if let's say

  511. you made a mistake or you didn't understand something i could just imagine what you did is

  512. you went back and you learned it and you mastered it so the next time that question comes up it's

  513. it's you know second to none you know that's the difference between somebody who doesn't care and

  514. the difference between somebody who who might not might not be as knowledgeable but has that

  515. ambition and that and that you know the passion for doing you know what it is and then you know

  516. the next time that comes up, I gotta be real with you. I've been in commercial meetings that,

  517. I mean, people are using acronyms and different things, you know, and they're all having this

  518. conversation and I got my phone on their table, Googling, what does this mean in commercial

  519. real estate so that I know what they're talking about. Yeah. And it's, it's fine. And again,

  520. I have no problem. It's kind of like, if you have a doctor, right, you're having surgery for

  521. something. If your doctor doesn't know, you don't want them to pretend they know and just kind of

  522. do something that might look good. You want them, you know, you want a doctor that says, you know

  523. what? I don't understand your symptoms. I don't know what's going on with you. Maybe we, maybe

  524. you go talk to this specialist or, you know, give you ideas. And it's the same thing in any business.

  525. And yeah, the good thing is too, when you know, a lot of people in business, if, if we can't do it,

  526. somebody else we know can, you know, somebody came to us for, I don't know, an acrylic table.

  527. we're not a plastic shop, but we, you know, we, we know plastic shop guy, you know, we bring them

  528. business and it kind of just goes back and forth. You know, you don't want to, you know, the,

  529. there's like that one tale that everyone tells, like, you know, don't, you know, you grab,

  530. you grab all the business you could find and you're going to end up losing business because

  531. you're not able to fulfill your requirements. Just like if, if Lisa says, um, if I tell Lisa,

  532. you know, we have a house for sale and she's got 10 houses already for sale and, you know,

  533. she might take it because, you know, um, you know, you want to take it, there's an extra house.

  534. It's an opportunity, but if you can't deliver for the client, you know, I know Lisa's a

  535. shock, by the way, for, for everyone listening, she's like the, she's the, she's like the

  536. best real estate, you know, person around, she knows her way around everything and just

  537. her personality or skills.

  538. Great.

  539. But you know, you, you, you, you, you want to look after the client.

  540. That's what, you know, people will admire you for.

  541. Cause you know, even with us, you know, when, when you represented us, um, you know, you're

  542. there, you're on the ball, you're, you know, you're calling me every day.

  543. You're calling me more than I'm calling you.

  544. You know what I mean? You're, you're asking me questions, making sure everything's okay. Even, you know, you were, you were traveling and stuff. You were there, you know, texting me, um, emailing every day, just making sure you're on the ball. And that's just what it is. You know, you have to be there for the client really, you know?

  545. Well, it's funny. And to your point, literally, as you and I are walking in this room, you're laughing at it.

  546. I was doing a voice text to a potential client and it's an asset that just I don't have that.

  547. I hate to say I don't have the time for it, but it's it was just something that I'm not going to be able to give him the attention on.

  548. And I literally that's not you're laughing at me because I said I'm not the best person for this.

  549. And, you know, I can't do you justice. However, but this is where you need to go.

  550. like this is who you need to call because i'm i could totally take it and make a few bucks

  551. but i know i know for a fact i'm not going to be able to do what he needs done right i do it all

  552. the time and i do it back and forth with other yeah i mean a lot of not a lot but i've had logo

  553. designs where somebody says just for whatever reason actually rachel's referred me logo you

  554. know rachel we've uh you just you know where it is when someone doesn't feel threatened like you're

  555. trying to take their trade secrets or do anything like this. People are like, okay, you have a

  556. business, you have integrity and clients will wait too. Like that's one thing we lost out on.

  557. Do you remember like if he said it was going to take seven to 10 days or even three months? I

  558. mean, waiting lists were insane for custom crafted stuff, you know, six months out everybody. So

  559. Yeah. Yeah. Yeah. And the kitchens, the kitchens, like custom kitchens you're looking at, even the, even the, a big, big factory bigger than us, you're looking at six months, you know, if you're doing a full, full custom kitchen, you know, the client better not walk in, you know, right after the house is done asking for a kitchen, you know, it's not going to happen.

  560. That's crazy.

  561. Yeah.

  562. Yeah.

  563. You brought her up.

  564. I mean, she's done that.

  565. I've seen her doing that a lot in her career.

  566. Like since I've met her, if she, if she doesn't have the time for it.

  567. Cause she's just so backed up with work.

  568. She will be completely honest with you.

  569. I mean, she even did it with my event, you know, and we'll get into talking about my

  570. event as well.

  571. But Jaden actually took over a lot of stuff that Rachel, um, originally wanted to do,

  572. but then her business picked up and she, she just physically didn't have the time.

  573. And she was, yeah.

  574. So she called me and said, Hey, can Jaden pick this up for me?

  575. Can she do this?

  576. And you know what happens to you start off with, uh, let's say you, you, you pick up

  577. a small job, you know, whether it's a small house or a small project or a small home, whatever,

  578. you know, and then you potentially, and then you get a call the next day. All right, we have a

  579. $5 million building for sale. And now you're like kind of in a tough spot because you, you know,

  580. you could have gotten the bigger job. So it's always good to, you know, be grounded, I guess,

  581. whenever you're speaking to somebody and, you know, tell them the truth.

  582. Well that, and you know, you have to surround yourself with the right people, right? So kind

  583. of like where Jaden was able to pick up the slack for Rachel. It's Rachel didn't just drop it and

  584. say, I'm not doing this. Good luck. Go find somebody. Yeah. And that's kind of how I built

  585. my career. I built my career with the right people around me. So I have, even if they're

  586. not in my office, I have agents that I've worked with. I have residential agents that I work with

  587. that if I don't have time to pick up that house, that one of my other, like, so clients like

  588. yourself, you know, if you're going to move out here, you're going to call me and say, Hey, do

  589. want to help me find a house. If I'm really swamped with larger projects, I'm going to find

  590. you a really good residential agent. I'm not going to just say no. I hate when you call somebody. I'm

  591. sure everyone has experiences. You call somebody for something and they're just so nasty on the

  592. phone. It's just like, no, we can't help you. Or no, no. I'm not going to call you back after that.

  593. Like, you know, it's just a simple thing. Like, no, I'm sorry. Like, you know, we'll try our

  594. past this and at least say something like that and and you know you might get a call back but for me

  595. when when people are nasty like that that's like a you know never talking to you again

  596. this is like a total side story but off of that i was helping a buddy find a tire the other day

  597. and he has a really rare tire so we're going to a bunch of places calling a bunch of places and

  598. there are people that were like oh we don't have it that's it and then i had some people that are

  599. like okay we don't have it but maybe if you go like down the street there's this place or maybe

  600. if you call this place they might have it um they're like good luck like let us know if you

  601. need anything like call back and some people like the one person told me they were going to call me

  602. back and then they just never did and i was like okay i'm just waiting so i like the people that

  603. are like okay we don't have it but we're going to give you somebody who might right because they're

  604. not just like worried about their own business exactly exactly but lisa you do a lot of

  605. philanthropy outside of commercial bossing. Yeah, I do. So what do you got, what are you working on

  606. now? Okay. So this year, um, my S the it's the strength and love classic is the name of my

  607. organization. And this year we're switching gears a little bit. I've partnered with the Exodus road

  608. out of Colorado Springs. They're actually in five different countries and they are out there

  609. helping prevent human trafficking. They also do search and rescue. They launched a, they recently

  610. launched an education program called influenced so it's influenced with a d on the end.org is

  611. the website for that and what i'm doing this year with my celebrity casino event is i'm raising

  612. funds to physically bring their team to the valley to launch an education program here

  613. get them into hopefully all of the school districts to educate the children educate the

  614. parents and then also get in and as many hotels as i can the hotel group so they can educate

  615. the staff there like what to look for what to do when you see it because i don't even think of that

  616. well and what a lot of people don't realize is what a huge hub the lehigh valley is for human

  617. trafficking uh mostly you know they bring them in on containers through new york we have all

  618. our warehousing up and down i'm not saying they're all doing it but there are some doing it and i'm

  619. hoping it's not my clients because i do that warehousing um they bring them in on containers

  620. they're storing them here they're i i forget who told me but i was somebody was telling me that

  621. they sell a lot of these people out in lancaster because it's even quieter in here but there's a

  622. lot of uh people being kidnapped between here and up through up through the mountains you know up

  623. through like wilkes-barre um hazelton scranton area but this is what's happening and this is why

  624. i'm bringing them to the valley to educate on the grooming of some of these people will take

  625. two three years to groom a child to get them to leave on their own accord and meet them and then

  626. we never hear from them again um and it's pretty terrifying so and i've been fortunate enough to

  627. meet a few women in the past month that were trafficked um and have been you know have

  628. recovered from that and they have their own organizations as well and but they're you know

  629. it takes it takes a village so we're all speaking about it and they're helping me do different

  630. things with my event um very excited about it this year because i'm super excited to launch

  631. this education program here if we can squash it in the valley as much as we can yeah yeah it will

  632. squash a lot of it throughout the entire nation um and it's crazy to think that because it's the

  633. high valley people just don't realize how bad it is here and even if it's just a pass-through it's

  634. still a pass-through yeah if you can get awareness no that's that's great that's a it's a big battle

  635. it's a huge battle i mean it's worth it so thank you for that information i had no idea besides our

  636. calls off Mike, how much, because it's not out in the open. Well, no, it's not, it's not a drug

  637. you can smell or people act different. It's like, and you constantly see, you know, missing children

  638. or you're seeing on the digital boards, you know, watch for this car because they, we believe they

  639. have this child and it's not always the stranger that you don't know. It could be your father,

  640. your uncle you know my children and I know some some young girls yeah that were trafficked there's

  641. a young girl that's trafficked by her father another one that was almost trafficked by her

  642. father and it's you know it's it's terrifying when it's when you see it and it is in your backyard

  643. I mean it's literally in your backyard nowadays you gotta even like you know my mom is like even

  644. the people we know that we've lived next to for for years she always has that like second sense

  645. that like, you never know when, when somebody, you know, goes nuts one day and tries to break

  646. in and then there is that, you know, you really never know. No, it's terrifying. It's a very scary

  647. thing. And so in my mind, you know, I've always, I think it's worse than it has been, you know,

  648. years ago. Um, what do you think? I don't know if it's getting worse or if it's just

  649. being talked about. I mean, it's similar to domestic abuse. Domestic abuse isn't getting

  650. worse. People are just finally talking about it back in the eighties, the nineties, the early

  651. 2000s nobody talked about it because nobody wanted to do anything about it yeah you know i had a hard

  652. time in court you know when my kids were little because there were no bruises there was no marks

  653. socials again for that just so everybody at home you know can can hear it again while i'm at while

  654. i'm away plug the socials plug the websites again everybody needs to follow these very important so

  655. um and i and i'm going to do a shout out to james because james's company is not even local

  656. and uh they came in they sponsored last year they were a pretty large sponsor and they drove

  657. in from new york you know to be at my event yeah um and i'm sure they're gonna do it again

  658. so that's amazing yeah it's it's strength and with the letter n strength and love.org is our

  659. website uh we are currently out there looking for sponsors it's the most important thing right now

  660. to have so that we can actually throw the event because i have i do have expenses that i have to

  661. cover and um to be able to go out and get my celebrities are coming yet or not yet i mean we

  662. will have several you know that were here last year my my actors my sopranos actors that were

  663. here last year i've been talking to them just had a phone call with one with steve stanielis the

  664. other day and he's very excited i liked him a lot yeah he's a great guy this is great he's a great

  665. guy and he's very excited about this this year and he's got some exciting things happening this

  666. year in his own career and people that he's working with. So that was, he, he commented on

  667. that. He said, I'm really excited. I'm with the people I'm working with and I'm going to start

  668. talking to see who else I can get to come out. So I don't really know, you know, who else I'll be

  669. having. Uh, but it's, it's getting interesting with some of the conversations that are happening

  670. and, and different celebrities that are actually hearing about it, which is funny to me. Um, it's

  671. just interesting you know and some some larger celebrities that are trying that say we would

  672. love to be part of this it's just always a matter of like are they filming are they able to go

  673. because they're kind of like they want to go around their managers so they don't have to pay

  674. them right now they'd rather volunteer their time of course and then jayden does all of our

  675. photography and that's kind of one way i was helping her get started and and she just she

  676. loves it so much so she's already bought cameras and lenses to kind of pursue her photography side

  677. of it as well. I also add, because you just said the website, but there's also Instagram and

  678. Facebook and LinkedIn, um, that we're trying to build that up. So you just look up strength and

  679. love classic on either of those platforms. I'll be able to put them up in post. I'll be able to

  680. do it for the people watching in for everybody listening in. Um, I don't think I attract

  681. listeners that don't know how to spell strength or love, but S T R E N G T H N with the apostrophe

  682. L O V E classic strength and love classic. So definitely check that out. So we just went over

  683. an hour. If we want to start kind of landing the planes, anybody, anything you guys want to shout

  684. out, you know, we can just piggyback off that. Oh man. Thanks. I appreciate it. I just, uh,

  685. I'm glad I get to wake up another day and do what I love.

  686. Right.

  687. And even when I was talking about posting stuff to social,

  688. it's not that I don't have the time,

  689. but I'm afraid that I'm going to be in that position where somebody calls and

  690. says, Hey, I want to, you know,

  691. people want me to do this for their shows and I just get to do what I love and

  692. not really think about too much else.

  693. So I pray every night, like,

  694. thank you for giving me the rabbit hole to learn.

  695. you're gonna have a ton of fun with lenses and cameras and just the only tip i could say with

  696. that is get what you need and be satisfied with the camera you have and remember that we have

  697. beautiful photos from 10 20 years ago and they didn't have mirrorless cameras like yeah no i got

  698. i got a used camera from somebody because my camera that i have is very slow and sad and you

  699. can't even change the lens it's just one lens you know yeah yeah yeah no you want to get out of that

  700. Yeah. So I got this one like camera body for like $200 from somebody and he used it for years. And I got a lens, like literally we were going to New York for the shoot for, I could take like behind the scenes shots of this one TV show and you can plug it. Go ahead. Gravesend. Oh, nice. Yeah. And it was really cool. But I got the camera. I didn't even have a lens for it on the drive there. We stopped at a target and I got a lens.

  701. I was like okay this is my next purchase

  702. I was calling Paulie going

  703. we're going to just be a few minutes late

  704. we just have to take a quick stop

  705. I was like I can't say I'm not prepared and don't even have a camera lens

  706. no of course not

  707. of course now he's going to see this and he's going to giggle

  708. it's okay

  709. and then recently I just

  710. bought another camera lens because that one's

  711. like really zoomed in so I needed one for like

  712. because I want to do real estate photography and all that

  713. like a 5.5 or something

  714. so any residential or commercial real estate

  715. agents out there she's looking

  716. into doing photography

  717. it's jlion underscore

  718. photography on instagram

  719. and that's lion with a y

  720. yes lion with a y

  721. cool cool and that's all you have is the instagram

  722. yeah I mean you don't want to give your facebook

  723. or anything like that out if you have one

  724. instagram's like the

  725. big hit now for

  726. instagram's like the big hit now for

  727. you know all these like things like

  728. that photography

  729. it's all instagram nowadays

  730. Because when you look at it, you see everything.

  731. You get to see, yeah, all on a page.

  732. Like Facebook, you got to really scroll and try and find stuff.

  733. But Instagram, it's all laid out.

  734. So it's kind of like just showing off your work.

  735. Like it's like a portfolio, I guess.

  736. Yeah, like interior designers always have like their projects on Instagram and stuff like that.

  737. Well, I'm going to have you guys help me out with Instagram when I am finally accepting projects again.

  738. Because I know it's great for me.

  739. It's just.

  740. Instagram's great, yeah.

  741. Yeah, I don't know.

  742. I've been in a good position for a long time.

  743. and it kind of adds to the mystique when you're just the i know a guy and you have a reputation

  744. online but nobody ever sees you asking for work and you go to i had a blessing to speak at lehigh

  745. valley elite network as a podcast consultant last week and i don't have to tell any of them

  746. unless they're listening that this is my hobby hobby it's like i train jujitsu more than i

  747. podcast but it's a very outward facing thing so i'm glad i could have you guys on as a guest

  748. james you want to plug your socials so yeah we're at home in tag one on instagram and then my

  749. instagram is at the beekman b-e-a-k-m-a-n group there you go that's the instagram and we're on

  750. linkedin and everything we have websites um you know check out of work you know feel free to call

  751. me for uh whatever opportunity if you're looking for work too feel free to call looking for some

  752. upholsterers right now just had uh somebody somebody go back to italy so we need that we

  753. need an upholsterer if there's anybody out there a good one a good one this is yeah an artist we've

  754. had so many people come in and like it's just you know it couldn't hire them it's just they won't be

  755. able to meet the quotas that we need to get done like one of our guys he'll do like i don't know

  756. we're about to end but he'll do like 30 chairs in one day oh my gosh i don't i don't even understand

  757. how but you know just goes back you know finding good good people is tough but yeah that's us you

  758. know um follow you know cool interact and then you guys can find me at to the designer at all

  759. socials to the designer.com um if we do do this as a bonus episode for i will not lose it's i

  760. will not lose podcast.com. And that'll connect you to any one of the players. We're on YouTube,

  761. Spotify, Google, Apple. Um, it's easier to say what we're not. I don't think I'm on GeoSavon.

  762. So I'm sorry if you're in India, but other than that, um, cool. Anybody have anything else? We're

  763. at an hour six. Sweet, man. Thank you again for listening. Thanks everybody. Peace.