Artwork for AI, Music & the Human Touch with Phaze Wun | IWNL 0079

August 7, 2026 · 1:21:46

AI, Music & the Human Touch with Phaze Wun | IWNL 0079

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Phaze Wun returns to I Will Not Lose for a wide-ranging conversation with Tony Ortiz about music, technology, long-form content, creative independence, and what it takes to build something that lasts. They look back at live internet radio in 2007, examine social media as brand equity, and explain why a viral moment means little without a catalog or point of view behind it.…

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Phaze Wun returns to I Will Not Lose for a wide-ranging conversation with Tony Ortiz about music, technology, long-form content, creative independence, and what it takes to build something that lasts. They look back at live internet radio in 2007, examine social media as brand equity, and explain why a viral moment means little without a catalog or point of view behind it. Phaze Wun also reflects on being boxed in by an early song, becoming a multidisciplinary creator out of necessity, completing a new album through grief, and deciding whether this could be his final album. The conversation moves through AI music, Auto-Tune, automation, creative guardrails, communication, album aesthetics, faith, streaming economics, and the human judgment that makes identical tools produce completely different work. If this episode gives you something useful, subscribe, leave a comment, and share it with another creator who is building for the long run.

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AI-generated transcript. Published with approval, but names and wording may contain mistakes. Listen to the audio for the exact conversation.

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  1. Good morning, good evening, good night, good afternoon.

  2. Sometimes it's easier for me to keep going than to quit.

  3. Life is real, you know what I mean?

  4. You have to go out there and put the work in.

  5. And if you've never been in the pit at a NASCAR race, do it.

  6. The time you put in while no one is around

  7. will be what sets you apart when everyone is watching.

  8. Because a lot of times you'd be like,

  9. oh yeah, that's a cool little idea.

  10. But once they really understand where you're coming from,

  11. the meaning behind it all in your heart,

  12. what you really want to come what's up what's up what's up good morning good evening good night

  13. good afternoon whatever time you're listening in wherever you're listening from thank you for

  14. joining us today shout out to the spotify apple podcast shout out to the youtube listeners thanks

  15. for giving us a reason to get dressed you youtube listeners you got to realize people listen to this

  16. audio way more than you so if you don't hit that subscribe button if you don't turn on the alarms

  17. it's going to mess my numbers up so just do me a favor if you've been watching a bunch of episodes

  18. subscribe or stream them through the website that helps as well we're going to get really started

  19. no stranger to the podcast if you've been with us listening for a few years you know

  20. the legendary phase one we've done recordings in his studio as his last album came out

  21. we just saw him on the dope individuals podcast shout out to eric the host

  22. um so welcome back man thanks for having me man once again yeah what when was the last time was

  23. that the last pod we did at my place yeah was it really and when you search phase one online that

  24. comes up as a video oh nice yeah so it'll give people i think people still believe in long form

  25. like yeah still it's still going strong the numbers are there you know you get into a good

  26. conversation you make people feel like they're a part of it uh i know you normally do the live

  27. you're an experienced podcaster you were doing a lot of stuff before everyone else was yeah you

  28. we always we started doing um we were live streaming with josh on rap forever.com back in

  29. like 2007 oh yeah like you stream right yeah i think so i don't know what he used exactly i

  30. forget but yeah we were doing live streams on there and then when he he had rented out the

  31. studio on hamilton too um we were doing live streams from there i think it might have been

  32. i think it might have been you stream we had our own little uh radio show excuse me we had uh the

  33. l chain radio and um who else was doing stuff was a stash box with philip banks and oh yeah

  34. yeah shout out to those guys um a couple other people i forget who else uh i think big big e had

  35. had a show too a couple it was like 24 7 at one point it was like it was it was we had our we had

  36. our slot i forget what time it was but that was fun that was a fun time there was that and prolific

  37. radio that was going on it was cool because a lot of this stuff people don't realize the era like

  38. the internet was a new thing kids growing up are like oh a stream in 2007 what's the big deal it's

  39. like right no people didn't have you know mics no you couldn't even you could you had to be on a

  40. computer to watch it then too well yeah i don't think no you know what phones didn't even have

  41. video like that like you couldn't even you'd go on the website yeah man but uh it's interesting

  42. because i feel like we're in a whole new computer era with ai yeah now nobody has a computer

  43. everybody just has a phone so it's like nobody even goes on like a website really unless you're

  44. like on amazon you use an amazon app i don't i still use the browser i still use a browser

  45. i use the browser for a lot of stuff yeah no i mean i have four screens people know i'm not the

  46. one like it's hard to put that all on a little yeah uh on a little screen but it's wild to watch

  47. tech grow it's wild to watch like i remember when you were on the first time i had just gotten back

  48. to social media mainly to promote the podcast and we were talking about how it's kind of an equity

  49. like having a brand or a following i mean fast forward three years do you think so so much like

  50. i still do think so like this is this is something that that you do uh it's kind of just like an

  51. obligation that you have to do some sort of uh social media personality presenting yourself as

  52. a brand and then you can branch off from that whether you're selling whatever you're selling

  53. your business or physical product or yeah yeah so you need something to direct

  54. the attention to whatever you're selling so even though like a pod might not be making money or

  55. i mean i guess your music's probably not making money either but but you do it and uh hopefully

  56. something else is you're funneling that into something else that's trying to make you money

  57. at least yeah so it's come from like something that gives you a little bit of equity and you

  58. kind of needed it for a long time i would say like i to your point it's an evil necessity like

  59. right can't just be absent and they make you like uh i hear whenever the algorithm punishes

  60. influencers or switches up and you hear them complaining and it's like they get a dopamine

  61. rush from when something goes viral so wouldn't you be chasing that like almost your whole career

  62. you know yeah yeah you kind of needed to catch like the viral thing and then hopefully you have

  63. a back catalog of something or you have uh some sort of personality trait to carry you forward or

  64. something to carry you because normal people go viral all the time and then there's

  65. nothing after that it's just like that was your that was your moment and now it's over

  66. have t-shirts or anything like right now no no nothing so you have to be able to capitalize on

  67. it when it does happen and you will hopefully have something in motion to keep that going yeah

  68. because then you can funnel all that into like we just said into whatever you're trying to sell to

  69. people that you can uh hopefully start to make a living get yourself up to that next to that next

  70. level of uh whatever it is for sure man we're big with that with my listeners it's like you'll have

  71. failures and stuff where people will see oh man i don't make any music with that oh you know you

  72. don't have this many listeners and stuff it's like you know how many podcasts out of all of them are

  73. really getting a million views per video you know what i mean like you're out of 500 000 active

  74. podcasts you're talking about like i don't know i mean there's more than a dozen but there's a big

  75. difference between your you know joe rogan's diary of a ceo like there's a severe drop off

  76. even a celebrity podcast down here you know you have somebody who already has a following and

  77. you're comparing to them if i were to fast forward with i mean what i met you through the podcast so

  78. there's just hands down like there's something great that comes out of it but the people that

  79. i meet the influence the fact that they kind of grow on me the fact that i had a product to be

  80. able to get my design stuff out like people still know tony ortiz the designer does the podcast i've

  81. tied them together to the point where even if you ask chad gbt about me we should do that we should

  82. see about uh what it knows about you too i think i have before but yeah you always have to have

  83. something else too like you can't just i mean i guess you could just be like the podcast guy

  84. with like nothing else attached to you like you're just an interviewer but people don't

  85. tune in for that then you're then you're uh kind of held down by whoever your guest is

  86. and then i mean i guess that's good as an interviewer but as your show or people aren't

  87. really tuning into your show for your perspective then they're just like for sure who is he talking

  88. too, rather than being interested in, in your brand and your perspective from what you do.

  89. And I remember I was doing it solo before and people would say that, like there would, I mean,

  90. you're talking for an hour, so you'd be like, okay, you know, I don't work Fridays at the day

  91. contract anymore. And people know it puts stuff out. Um, I think that you're right. Like it's,

  92. you have an interview show versus if you have just, Hey,

  93. let's talk about what's going on.

  94. And I thought about all of those when coming up with, you know,

  95. what do I want to put together? What I want to build.

  96. And it's always funny because the people with, uh, you know,

  97. either influencing or content or this kind of podcast, they're like, man,

  98. you know, I'd like to start something positive.

  99. I'd like to have something positive and it's just a matter of what do you

  100. want to chase and it's just like you said it's what you want to chase and it's a slow build if

  101. you're going to do something that's positive and good and you're not chasing the quick attention

  102. and um you're in it for the long haul rather than people who need to keep like with the content game

  103. people have to keep um up in the the the bar to what they're doing to be more extreme to get more

  104. eyes on like whatever they're doing is and then you go so far to where it's like okay but what do

  105. you do from here now like your your run is over because now people are only looking at you for the

  106. most extreme take or whatever prank you're doing or some shit like that or the pivot like how many

  107. times you see you'll see something crazy you look and like the last five posts are very similar but

  108. them before that they were like crafting action figures or something and then it's like one of

  109. your action figures you made a south park now you're the south park guy and you only do those

  110. i remember early when i was getting into youtube i would fall into that i'm like

  111. you know i just want to record myself gaming or clip it up or if i didn't want it to go viral and

  112. i was putting together something in the character select right and it went nuts with the kids and

  113. just because the name was tony ortiz a designer they're like okay this must i mean i'm talking

  114. with no nothing but algorithm like 700 to a thousand views that can and that's the thing

  115. like that can work against you because now you gain this audience for that like thing

  116. and now when you want to do other things then they're like abandon you because now you're not

  117. now you're not that character guy or whatever it is that brought all these people to your thing

  118. And I always tried to rail against that. I don't know if we talked about this in one of our podcasts before is when I first started getting like a little bit of popularity with the half and half song.

  119. I did we talk about that? I don't think so.

  120. um i put that out in like 2011 something like that 2011 2012 and it it kind of caught a little

  121. buzz even though i never really i was never a big fan of that song but other people were

  122. like i did i felt that it didn't represent me as an artist and it put me in this little

  123. um box of like boom bap hip-hop underground sound and i didn't want to stay there and then when i

  124. ventured out doing other sounds everybody who was my fan from that was like what the fuck are you

  125. doing i don't want to hear this auto-tune shit and i'm like yeah but i like to do that like i

  126. could do this too but it's not going to stop me from doing this over here and everybody was like

  127. okay well you gotta do it kind of out then yeah if you're 12 minutes in and you're listening and

  128. you haven't seen an earlier episode with phase one first off i just want to thank you super

  129. interesting dude we usually go way over an hour and then just chop it up but he's a multi-talented

  130. producer kind of a a creative i don't know uh da vinci of some sorts has touched video has touched

  131. music production at the highest level audio engineering uh comedy podcasting like it's one

  132. of those things where if it was like a renaissance man of sorts yeah i like that i like that and then

  133. a lot of your branding and stuff ties into that theme that seems like a time in history that you

  134. were really interested in yeah yeah i love i love history too and i love learning about you know my

  135. heritage and history and other other cultures in history everything's intertwined but um yeah like

  136. I always railed against that, that putting me in a box type thing. And it's sort of out of

  137. necessity too, at the same time, because other people wouldn't do it or they wouldn't do it to

  138. my liking. So I was like, I mean, if it's going to be shitty, I can make a shitty myself

  139. and then learn to get better. So, you know, I started recording myself at an early age and,

  140. you know, um, went to full sail for, for music engineering. And I was producing then because

  141. we didn't have no beats and then you know once music videos started becoming more of uh the way

  142. to go because camera equipment got cheaper then you know i learned how to shoot videos and edit

  143. videos and from there podcasting started to come into play and streaming so you know you have your

  144. hand in there and um since i was doing all those things i keep hitting this shit right

  145. oh there you go um from there i always i always used to do the artwork and stuff too even when

  146. we were like kids i used to play around with ideas for album covers and i always liked putting

  147. together the track list and the way albums flow and the way they sound so like anything like

  148. aesthetically uh i i enjoy like i don't necessarily like shooting videos but i love like camera angles

  149. the finished product yeah or the nitty-gritty yeah like i like the cinematography of things

  150. for sure and um i don't necessarily like editing but i like like color grading

  151. or coming up with color palettes touches and stuff like or i remember you mentioning it's

  152. not the finishing touches but i think like you don't love the starting point you love the process

  153. itself like yeah and the overall direction like i wish i'm i'm i'm kind of like almost almost like

  154. in a like a kanye mindset where like he might not be doing every single little thing or finishing it

  155. off he'll have the the grand idea and direction and then go you go do all that little stuff

  156. to fine tune it and i'm not orchestration yeah i'm not that um uh uh particular with

  157. the like the fine details like i don't think i'm the best audio engineer but i have a sound

  158. yeah that you've been consistent with i mean consistent enough that it's growing and evolving

  159. i did hear the new project that you have coming out i thought you were dropping it on dope

  160. individuals but it sounded like you were saying it might be what like a month out i mean yeah i

  161. finally got it to a point where i don't hate every single mix so i'm pretty content with

  162. with the way it sounds now and i've been working on it for um towards the end of

  163. the last album in 2024 i caught like a creative strive where i did like six more songs and i'm

  164. like, they kind of sound like a new album. So I started immediately after the last project zero

  165. to one. And, um, after that, I just kept recording through that. And then, um, my mom had gotten

  166. really sick and she ended up passing away last year, April of last year. So that kind of put a

  167. halt on a lot of things for a couple months. And then, um, and then we took the trip to Germany

  168. and i took you know more time and planning and stuff away so it ended up ended up taking you

  169. know a good year and a half to finally finish this and get back in a good mind state well i mean

  170. next album could just be ai you could drop it in two months you know yeah no that wouldn't

  171. still wouldn't take me two months i'm definitely interested in doing an ai album i have um i have

  172. i have like old songs and songs ideas um that i'm not really uh suited for like singing or doing

  173. i hear a lot of people a lot i hear a lot of producers talking about that now i also hear

  174. another wave of producers that's talking about hey uh you know just morally like even if you

  175. use suno and then pay artists it's like you're stealing to put back in in order to train the

  176. thing that steals yeah people are always gonna feel like that i i like it like you don't need uh

  177. you don't need a complaining artist anymore or anything like that you just like have the machine

  178. now that can do it and you know probably what nine times out of ten is gonna be better than uh

  179. whoever you got to do it for for most occasions there's going to be things to where you know

  180. certain talented individuals are irreplaceable but the majority it's like do we really need to

  181. hear another guy or you're like i said this it's like you're already ai these people are already

  182. ai none of the stuff that they're doing is original it's always it's a copy of somebody

  183. else or somebody else they heard say something cool they're not really talking about their

  184. perspective it's just like cookie cut cookie cutter songs cookie cutter beats why not just

  185. give it to ai anyway you're just just worst version of it yeah so you're down for better

  186. music through ai i mean yeah i just want people who suck to quit really yeah just stop i think

  187. it was like seven uh 70 of people are like we don't want ai and they were like okay we'll see

  188. if the majority of people don't want to add it's like yeah but that's also means that 30 of people

  189. are like either they don't care or they're actively interested in ai music and i saw i think

  190. maybe it was title i don't know if it was spotify or title put the filter where you can like filter

  191. their whole database from ai music and it's uh i don't know if i want to call it pandering like

  192. yeah you know either you use ai in your stuff or you don't but uh the people who are like

  193. were against it completely that we didn't hear for the last 10 years when like google started

  194. working better your gps instantly knows about like an alleyway or yeah yeah you know it's like

  195. they started construction this morning but it's all google maps and that stuff doesn't just happen

  196. yeah no people are just gonna get left behind it's the same shit like i was when i was started

  197. playing more around with autotune 10 years ago more than 10 years ago you know it it's been

  198. people are so slow and behind it's really annoying uh like autotune came out in like the 97

  199. something like that and then it started to gain popularity after they stopped like hiding it

  200. from people knowing no i have it earlier than that like that was like 97 um and uh share had

  201. it on you know do you believe in life after love that was autotune song that was one of the first

  202. like really popular ones i thought that was like early 90s no i know exactly i know that was like

  203. 97 well i was gonna bring up share when i say oh so then okay maybe i thought when i was hearing

  204. that stuff that it was older music like i used to listen to a lot of 80s like when they first

  205. started doing the synth and like every dance track was just like the vocoder yeah that that's

  206. like proto auto-tune but that was like a uh that was kind of like a gimmicky but they you know

  207. incorporated it more into uh funk and stuff like that to to make it sound cool with with uh

  208. uh rogers and um people like that but um yeah that started in in the late 90s and

  209. then it started to catch on more kanye used autotune on college dropout in 2004

  210. and i know kanye's a big fan of autotune oh yeah we know but this is how far behind people are with

  211. their like taste and what they claim they want and don't want and you know it started to take over

  212. when you know t-pain really exploited it and um people were railing against it jay-z with the

  213. death of autotune did not work she did not kill it it also killed uh i mean i stopped producing

  214. around that time yeah i would have been along the lines of like i mean i still never learned how to

  215. use autotune like i get it in general i'm sure i could watch a youtube video but i don't have

  216. that years of practice and it's funny that's what my son was asking for right away uh yeah now every

  217. single song has it like kids if you sing without autotune the kids coming up where every song

  218. they've ever heard is autotuned when they hear you singing they're like this guy what the fuck

  219. is this guy doing cannot sing this is like off because our ears have now been fine-tuned yeah

  220. to hear perfect pitch they got an auto-tune engineer in the in the live performance in the

  221. background so i can still sing live but so everybody was railing against that throughout

  222. the whole 2010s of like fuck i don't want to hear no auto-tune and it's like dude if you don't take

  223. it and incorporate it into something good you're only going to get the bad version that becomes

  224. ubiquitous and that's what we have now it's just like how many people are using it creatively

  225. in a way that's interesting uh not many people it's just on everything and people bitch about

  226. music like oh everything they're singing with the auto-tune and it's the same melody it's like okay

  227. yeah because you railed against it so hard that everybody who tried to use it creatively

  228. you shit on them like like kanye with the 808s like yeah people like it now but when it first

  229. came out especially all the hip-hop heads were like fuck that shit and now who's doing it

  230. interestingly no one dark twisted fantasy after um yeah actually hold that thought

  231. a dark twisted fantasy came right after that was two 20 2010 was a dark twisted fantasy

  232. and 808s i think was 2008 if i remember correctly i'm not sure i think 808s that sounds about the

  233. right time i think uh yeah because i was out of high school but i thought i was still in college

  234. when 808s came out it might have been it might have been 2007 maybe it might it might be a year

  235. or two i might be a year or two off um but yeah now's the time where autotune is ubiquitous and

  236. ai is um on the come up and people are railing against that just as hard and it's like okay

  237. well somebody kanye already did albums with with the ai on it too so he he's using other people's

  238. references and then just running his vocal filter ai on top of theirs which i think is cool and when

  239. he went back people complained about it so much he goes back and and re-records it with his own

  240. voice and it just loses the field and like it's not good anymore after that in my opinion and

  241. it's like sometimes you just got to leave it alone just do just use the new tech use all the

  242. tools yeah and especially for older artists legacy artists who might not have the creative spark

  243. but they have the name branding notoriety to get good songs out there and you know if you wanted

  244. to take on somebody's song and use your ai voice on it and like songwriter can get paid then because

  245. there's plenty great songwriters who aren't just like great performers or great singers so now now

  246. you have the opportunity if you write great songs to have um a perfect vocalist sing your song

  247. yeah and i mean even for reference tracks and people are going to be like oh well you know we

  248. i mean i i'm for the human i'm for the creative you know as well as my listeners i'm deep with

  249. the ai like i can't even go and it's like i go on threads and everyone's like anti-ai and like

  250. i'm a designer so i'm like i tell them like you don't want it to send your invoices for you so

  251. that you can create more like it's weird the way people are completely against it but on a social

  252. media platform that's run by ai so people don't know what the fuck they want dude it's like

  253. it's too you just have to ignore them they're retards yeah no i mean we'll see what happens

  254. in a few years but when you're when you're running the data center and you could just like

  255. delete their accounts later cut off from whatever yeah keep complaining delete delete you guys are

  256. gone no more anti-voices for you no man but it don't go fuck my order up at wendy's can you

  257. believe that we i mean it was just the wrong item completely like i could see if they forgot it was

  258. not a special order regular number two please that's it no no pickles no no adjustments just

  259. like a number two number twos please gets it wrong how it's the second item on your menu

  260. oh man you hear that always do a good job you never know if you're making it for somebody

  261. who's gonna end up on the podcast talking about uh i mean it just it goes in general people are

  262. like oh i don't want ai i want to talk to a human yeah but you don't want to pay the price for the

  263. company to like you know what i mean like a person sitting there answering phones all day

  264. costs a lot of money you know depending on how specialized they are at answering the phone so

  265. I called AI. Yeah. I called up my, uh, uh, uh, auto body shop like a month or two ago

  266. and they had an AI software booking the appointments and it was pretty good. I was

  267. fooled at first. I was like, it sounds like a real person, but as I kept speaking to it,

  268. I'm like, Oh no, I'm talking to AI. This is actually really good. And, but then what was

  269. really annoying is to book excuse me to book the appointment um i was like oh can we do what

  270. what is there on monday on monday we have 9 a.m 10 a.m 11 a.m 12 a.m you know it goes through

  271. like the whole thing from the beginning and i'm just like do you is that good and then it's like

  272. okay i just want to know if you have anything between this time like i just want somebody to

  273. like take a look overall at the calendar and give me any day you have at this time and it just made

  274. me go through the whole week tuesday at this wednesday at this and it's like i it's like

  275. this is a blast from the past with the future it's like you're waiting to see your school pass by on

  276. the on the snow delay list on the on the weather channel in the morning it's like that but with ai

  277. trying to get my car in for an oil change so now you're waiting for the time slot that you need to

  278. pass by and be like wait no right there no and you know what they're they're waiting to kind of

  279. in like train it i guess is the best word yeah it's gonna get better you have to run into mistakes

  280. before you it's it's hard to get the reasoning ability of right you don't you don't know until

  281. you run the plan and then use it and then you're like okay i you would have been training my

  282. customer service agent for months you know and there's no way that you would have thought of

  283. that problem until you encounter it no for sure and it's i mean you're talking about logic that

  284. has to know and quickly infer what you said and then change based off it did you um you pay for

  285. chad gbt no no i don't know if it's on the regular version but about a week ago we're recording this

  286. like june 17th so i'm talking about the early june release from chad gbt they're trying to push

  287. chad gbt more into codex like the coding version and one of the things they put out is a new

  288. voice that can do some coding stuff but it's like how when we're talking if you start interrupting

  289. me i don't just go right and wait for a response and then like if i need to search google go

  290. i say hang on a second let me think let me look into that that's how it talks to you now

  291. so for brainstorming and stuff it's insane it's like uh it just sounds much it feels much more

  292. like a conversation and if you start talking and you interrupt me it doesn't stop it's only

  293. listening to me unless i say right here's phase and eventually it'll get like you're in a room

  294. having a conversation it's just remembering what everybody says waiting for a chance to talk

  295. you might see uh ai strategists in meetings but these are going to be it's like tony stark you

  296. know everybody in in marvel didn't have a jarvis you know what i mean like the crazy tech billionaire

  297. had the jarvis you know like you know but do you think this stuff was really public first

  298. government second military second absolutely not the military had like uh i mean llms weren't new

  299. but do you think we're discovering this reasoning in real time or do you think they're oh no they're

  300. they're way ahead i i heard of um you know some people some private individuals are probably way

  301. ahead and you know people like you are you know more so you're into all the bleeding edge tech

  302. and stuff like that but the government's always they are created the internet so they created

  303. these things so you know there's more i think there's more private interests now than before

  304. but that's just because of the world that we live in where it's like you know two two of the same

  305. thing almost so yeah i've i've heard of um some guy utilizing ai to map his genome and you're

  306. talking about and heal himself with these genetic modifications from um genetic disorder disorders

  307. in his family line and shit so you're talking about alex cologne no no no on facebook no big

  308. shout out to alex cologne and uh quick pitch for our sponsors the nexus network but uh alex is deep

  309. in ai and he's doing the same thing he did it he did it he posted it to facebook mapped his genome

  310. and he created injections for himself no no he didn't go that far i heard of some guy doing that

  311. no that's what i said when you said that's crazy but that's the first step you know what i mean

  312. like medically and this is what we can talk about why do i hear so much fear mongering i get that

  313. the the uh the flyers suck and people don't realize that a lot of the data centers they're

  314. pitching are not going to happen you know what i mean like people are using also bad ai to do that

  315. like they're already not creative people so like so they say give me a flyer with this info on it

  316. and it spits out something and they go that's it yeah no for sure um but regardless of that

  317. there's a lot of it seems money and pushing the fear of ai and some will say it's because they

  318. don't want to empower people to be able to just make their own software i think it comes down

  319. more to like there's money on both sides like the adoption and the rejection of ai and anything you

  320. can fear monger it's like okay we can set up safeguards like we could put a filter so you

  321. can't hear music if you weren't listening for it it wouldn't go for like i don't know it's more

  322. free than it ever has been in our lifetime of the internet back when we were growing up like

  323. you couldn't just like have and this is not necessarily a good thing but just infinite free

  324. porno yeah yeah you had you couldn't even watch it it was like we were it was blocked yeah it was

  325. blocked and it probably should be again but you know for people saying things like oh they're

  326. trying to take away freedoms or this and that it's like it's the most free it's ever been to

  327. its detriment um yeah to society's detriment and you know people are now worried about like

  328. who knows who knows it's just you can't you can't let people have certain things

  329. they don't know what to do as as i get older and we get older as a generation and you start to

  330. observe your friends and family and society around you you start to realize if you're if

  331. you're a smart person that most people are pretty fucking dumb and they probably need to be told

  332. what to do and there's certain arenas where they should probably just like not have an opinion on

  333. just stay out of or at least a strong opinion a lot of people felt that when social first came

  334. because it's like and i try to stay away from social sometimes it's funny like i went to reggae

  335. fest this past week and i'm running into people who haven't seen me in a while but still know

  336. of a lot of stuff so it's beyond equity just having the followers if you have a hundred people

  337. that know you're putting an album out versus right just like six of your friends that heard

  338. the listening party like that's net better but you can't sit there and think like that's the

  339. entire world like if you really go into look you you know of all the people that see your stuff

  340. more people are like reading it not interacting and scrolling past so they still know what's

  341. going on but they're not helping you in a way that like you know even if people like i was

  342. posting on yours you know i'm just posting for engagement well yeah if you it's one thing to

  343. jump into a conversation with another thing it's another thing to know how it works so that you can

  344. just because their ai that's scanning word count it's not reading inference to realize oh this

  345. person's trying to cheat the system right right it's just not making any judgments yeah yeah no

  346. it's it's funny and i think that we fell into this scares me we fell into this thing where people

  347. think ai can do everything right and the deeper i get the dumber it gets so it's very autistic

  348. it's like it's like it's deterministic like you know i i read i i go and i generate podcasts for

  349. myself about understanding how it does things and why you don't want it to me and there's a lot of

  350. people that say with the right guardrails it can handle finances perfectly but like sure

  351. the numbers will be way easier than than the understanding of language well no like just to

  352. to give you context not to derail the conversation because it's relevant to it

  353. if the ai has to say like order a shipment of steel and then ship it and then bill the people

  354. for it if it verifies the amount and the amount is wrong it can't go back and unorder what it does

  355. like it goes back and repeats the process so now you have either double orders like it can't

  356. like whereas a human could go oh i'm not going to order that because the thing like it's still

  357. gonna run linear so you're gonna have i know people joke they're like oh there's gonna be

  358. prompt engineers that are just running ai all day it's like watching well yeah just watching

  359. the screen like the matrix then we're just watching the code and shit no and oh dude it's i

  360. bought a matrix shirt because i'm gonna wear it with my uh with my glasses and just it's whatever

  361. like this is reality this is how i work got my phone plugged into these glasses i'm swirling a

  362. thing but i like uh i've always believed and maybe it's the time that i came around with creativity

  363. everybody was against the templates and now you have canva as like they even say like we're not

  364. going like designers we're not for you we're never trying to have like color grading and like luma

  365. chroma keys on the videos in right canva this is for people that you know and it makes you wonder

  366. like does every yard sale need uh like a promotion yeah you know yeah a flyer yeah nobody's selling

  367. their picasso at a yard sale you know what i mean so there's always going to be that art and then

  368. there's going to be you know the pictures of strange children at the yard sale or something

  369. like that or a landscape that has no meaning to anything but you're not going to find the

  370. fucking monet at a yard sale you're gonna have the basic stuff over there for those people for

  371. their house to look nice yeah for their house to look nice enough you know but it's not it's not

  372. the upper uh tier it doesn't it doesn't require a marketing budget you know um even when i did uh

  373. it was funny a while ago way before you knew me we did like a yard sale trying to clear stuff out

  374. from a for a church you know um and they like once we sold a bunch of the stuff we got rid of it but

  375. the flyer that we did for it and back then was like early video facebook youtube like we did a

  376. thing with the graphic up but it was black and white like it was designed but it wasn't designed

  377. and i think it takes away from the authenticity when somebody's like i dude i've been sent chat

  378. gbt flyers for like uh cookouts or barbecue you know i mean not like a big back to school

  379. barbecue ever just like you know there's some people getting together for this bang grunge

  380. text horror of a coy 16 bullet points down here it's like now the training the algorithms like

  381. if there were any time to put guardrails it should have been on the creative use because

  382. everyone's like oh all the flyers look the same dude that's because that's the least common

  383. denominator of all the crap it's trained on you know what i mean like so if it trains all more

  384. bad stuff it's just going to be more like like we we see this in and i don't even mean to get

  385. scientific but like things like mint that grow or like you know stuff that's mad mint in my yard

  386. it's crazy and it's like it's predictable science can be like once there's more it's gonna spread

  387. quicker yeah like when i'm generating like picture ideas and stuff with the ai too i've noticed i

  388. don't know if this is but with all of them or anything but if i do it in the morning it's like

  389. sleepy. Like it starts spitting out bullshit. And as I like continue to generate it, like I don't

  390. change much of anything as far as the prompting go. I just like keep hitting, do it again, do it

  391. again, do it again. And then it like gets better. And I'm like, now it's spitting out fire all of a

  392. sudden. It's like, it needs to get woken up or something like just training it on the, I don't

  393. know just repetition yeah no it's like so i've got a i've got a kind of like a custom model that

  394. can generate videos locally and i'll show you after this it's like i gave it the instructions

  395. and something that a human would just look at and know is wrong it spit out and i had to be like

  396. did you just make a video of the start frame end frame like because i said to do a ken burns like

  397. you thought that was the motion no like star frame end frame generate the video and then lay the

  398. ken's burn on top of that and it's like oh yeah okay did it perfect so that's what the training

  399. is going to be is going to be running into and anticipating mistakes yeah yeah it's it's hard

  400. to speak to it it is like speaking another language and and i i kind of came to this um

  401. little realization too when i when we went to germany last year because a lot of them speak

  402. english but not like you know they're pretty fluent but even when you come from two different

  403. cultures and you speak the same language roughly things get still lost in translation so you have

  404. to speak in a way that a foreigner will understand you even in English which was very weird to me

  405. because I don't know I never experienced that because I haven't been outside of the country as

  406. a adult adult and um I just thought that was really interesting because it's kind of the same

  407. with AI. Like you think you're speaking plainly to it and it does it very literally. And you're

  408. like, how do I say this in a way that it can understand what I'm trying to tell it to do?

  409. And that's the same. It's the same with people, even us right now, we will have different, uh,

  410. inferences that the other person might not understand or or um a sort of tone or assumption

  411. that the other person doesn't have because we're not mind readers so sure even just the the

  412. communication just between two people is that difficult and that's really the beginning of

  413. a lot of problems i we have these problems all the time even like with my wife just communication

  414. and you say something a certain way or they think you should have assumed this when they said this

  415. and you're like how would i assume i don't i just don't assume that do you know what uh what ran

  416. into it with me what really taught me that was gaming and i'm sitting there with my buddy he

  417. has something going on it was like uh like a battlefield game or something like that and he's

  418. just like 95 of problems because somebody didn't do what i like what i thought you should do you

  419. didn't do it so i'm pissed right i mean like if we're playing soccer and it's like shoot the goal

  420. and then they do a break defender comes then they shoot the goal it's like oh you were you're just

  421. not on the same page you're watching the field from back there i couldn't see him coming up to

  422. know to do this and you know um once i've realized that it's like yeah and then some people think

  423. like this is a real thing some people think other people can hear their thoughts you know what i

  424. mean women women yeah women think you can i know some women but my sample size is too small to

  425. assume that it's just women i can't it probably goes our way too they would say yeah right no i

  426. mean listen there's everything there's people that do like things outside of how everybody else would

  427. you know what i mean like whether it'll be more emotional or any of this like there's i hate using

  428. the word like a spectrum but it's there's extremities like there's an extremeness to

  429. whether or how you do it and i think that it's like how you have introvert extrovert like it

  430. might just be more of an introverted thing sure you know and we could say there's more introverted

  431. whatever but it's getting into the weeds like i agree with your point if you don't communicate

  432. and say like this is where i'm trying to go like even just before we get in here and say hey is

  433. there anything you do want to talk about don't want to talk about like because i'm not coming

  434. into this i mean we're going on 50 minutes but it's all smooth and to be honest the ai can figure

  435. it out now and put in whatever it is and put the keywords and do all that and i'm working on things

  436. to help with the distribution of the podcast because right what most people don't have is

  437. the thing to talk about on social media i have multiple of those things which take up my time

  438. from talking about it on social media so i can just check in i can't build in public i can be

  439. like here's some stuff from 2025 like that i didn't get to put up but yeah feels good to be

  440. back you go through waves of creativity yeah that's for sure and uh that's what we've come to

  441. now we didn't even talk about an album at all really but um you know i said the last time that

  442. that might be my last album this really might be my last album i'll be turning 40 next month

  443. um if if i don't have anything to say or a creative perspective for something then i just

  444. don't do anything so i caught a stride the last one i i still kind of do have a bit of a stride

  445. going right now but it's not as um it's not as uh i guess we would say it's more directionless

  446. now than i i think before when i was wrapping up the previous album i started on a new direction

  447. that all kind of had like the same vibe um to where i got to where i am now and the other stuff

  448. that i've been doing now is kind of i don't know i i guess it might be going somewhere but i don't

  449. really have a uh i don't have a direction for it yet you might be you might be in your head

  450. yeah i mean it makes me think of like sometimes it just doesn't click right away yeah but ice man

  451. came after all that with drake right you're telling me every single like you know what i mean from

  452. like 2018 let's say like the last seven years and even going through a battle and all that like

  453. you're making hits you're making you know you're you're a factory you're a machine at that point

  454. like sure you're making music for the ladies or whatever it is but most of the time for me though

  455. it's like i i would typically have a theme or some sort of creative artistic direction

  456. um that i'm going to aesthetically um when i'm making stuff and you know after i finish this one

  457. the stuff that i have now is kind of you know a little bit all over the place to me um like

  458. sonically so i mean look you're allowed to make it your last album i don't think you're gonna be

  459. done making music yeah no you know what i mean like maybe you get involved with somebody else and

  460. kind of generate or do music but i think music is always still a part like how i pot about it

  461. and interview artists and review stuff like i just don't actively put music out and i've always

  462. thought about it i was actually thinking about it last night and i'm like even if i grab suno and do

  463. some stuff, like I can't expect to just be nice or that I was so nice that I could take time off

  464. and just come back and drop something crazy. Like I have done that at times, but not in terms of

  465. putting like to the next level, which it's not about just being able to rap like your stuff's

  466. an experience. And you did say before this album, after you finished the one that there was a

  467. specific sound from zero to one you were like that whole pop out dnd like yeah that grungier and

  468. there's a lot that sounds like just a unique sound like that's what my son loves about your music

  469. it's like is that even an instrument like is that like like it's just a feeling like a loop you know

  470. what i mean and um you'll have percussion i think you're singing on this new album

  471. at one point right yeah there's a couple singy song parts i guess i've been waiting for it to

  472. come out i know you gave me an early copy and i keep looking at it i did some more stuff

  473. yeah and i don't want to get stuck on listening to it one right right right right you know what

  474. i mean so i like to get those streams up i'm probably responsible for like half the streams

  475. zero to one it was just a connection i think it's because people get a chance to hear these

  476. interviews and they're like okay dude's more interested i had talked to you back and forth

  477. and it's funny because i go back through the history it's like even in i think like 2014 16

  478. I was like complimenting your music like I had reached out we just hadn't talked because

  479. doing a one-on-one doing an hour talking with someone it's like oh okay makes sense the the

  480. album is assumed like I can do a whole review on it you know having heard it I don't know if I

  481. heard it enough to completely review it but it sounds cohesive it's like I'm excited to see it

  482. with the album artwork you've been putting out visuals that go with it with like the black and

  483. white or you know angel statues or you know i've seen you put that one out yet oh well then give it

  484. to me and we'll drop it right now no um it's it's uh it's a solid aesthetic that feels like it's you

  485. even though you don't do this stuff commercially right and i've had the freedom recently to do some

  486. photo shoots and stuff people see that like i'm getting down into photography and i know there's

  487. people that like he wasn't doing that 10 years ago it's like of course like you grow with stuff

  488. at this point you know i've done enough hobbies for 10 years that i could charge a decent amount

  489. it's just you gotta respect the game you can't charge way lower just because you have other

  490. sources of income like you know do you plan on or like you were talking about some merch

  491. you want to go on that for a little bit um well yeah i might i might be well not might be but um

  492. i have the website going it's gonna be uh live soon i'll let i'll let you guys know the the site

  493. when it goes live but i'll have some uh some merch i guess limited edition probably um to go

  494. with the album you'll be able to uh download the album from the website um i'll probably still go

  495. streaming too until you know i kill it all and retire and just maybe just force everybody to

  496. go on the website i don't know like half the album on streaming yeah no i mean yeah i haven't decided

  497. that yet so that's interesting every time you drop even if it's a year and a half it's like

  498. you have to find a new way to drop yeah i always thought it's like okay streaming my audience isn't

  499. gigantic it's like it's it's enough that i get satisfaction from it the amount of people who

  500. who enjoy listening um but even if two people throw me 10 bucks for for the album to have it

  501. on their phone physically um that's more than you make in streaming that's more than most people

  502. make in streaming 20 bucks it's like you the streaming is there with the convenience like i

  503. um i've bought albums that i still stream knowing that like nobody's getting anything or i'll tell

  504. a bunch of people hey check this out or buy this i know people did reach out and they're like hey

  505. i listened to faze even after that interview we did they're like yo this is dope or this is crazy

  506. um and then sometimes you have like uh i want to shout out and wave the way he's been running with

  507. his single and putting skits and content out where it's it's like something and then the beat

  508. will drop and yeah it's like he's trying new things he's trying that's what i'm trying to

  509. get the product out in different ways the pre-orders like a website for download and do

  510. this stuff that's something new i've seen that pops up you know but all you do is hope like

  511. i still put this show out like i mean if you're paying for a podcast there's only so many of those

  512. you can do and you're usually tuning into everything what i love is that this is evergreen

  513. so people can go back and download earlier versions but trust me i'm weaving my story in

  514. there as well versus just having because i feel like if you're speaking on your own you have to

  515. have like a really strong opinion or be educated and i'm gonna have other lanes for that i'm

  516. getting what i need out of the podcast and i just switched i was like okay because of the

  517. sponsorship we're going to go back to the consistency we're going to do that at the

  518. very least but we're going to need to also like put promotion out tie people back you can make

  519. it so that when people click on your youtube link the subscribe button comes up and it's like now

  520. you really have to hit no versus just scrolling over but i'm putting those things it's always been

  521. a work in progress but it's also turned into paid work for consulting i've produced two other shows

  522. you know paid as a podcast producer with credits put it and they use the tony ortiz designer skills

  523. to put the video together so it's uh it's funny a lot of podcasters are multi-talented they have

  524. different stuff that they do like even if you're making your own thumbnails or you learn it because

  525. of the podcast right yeah yeah do you think the production of music has changed a lot recently or

  526. at least how you produce this new album absent of ai oh that i did um not really like this this

  527. this one i wanted it to sound uh gritty and dirty and uh i guess at the same time

  528. as clean as i can get it with without uh jeopardizing its harshness yeah because i

  529. wanted it to be a little bit harsh and that's kind of uh the opposite of everything else you

  530. hear everything else you hear is very clean and uh i hate that sound so you hate clean i know you

  531. had said that um you had said that to my son you're like when you want to do something dirty

  532. um and then even eric the host was talking about hey uh it sounds so clean when you uh when you

  533. mix the muddiness and it was funny part of the reason i didn't go too deep into the music earlier

  534. in the show is because you and eric are both active artists so a lot of your conversation

  535. is about that and i don't know that like you're a rapper producer i don't know that people

  536. need to know that you know what you're doing like it's already kind of assumed right you're on a

  537. podcast you know if i have it i think you emailed it to me we can play some of the album like i have

  538. the bluetooth cooking so if i could play it from my phone um i could play a track but if you want

  539. to save it for the drop drop i completely yeah yeah we could save it that it might be out before

  540. before you get this out so true true that's what i was gonna say we should just assume that it's

  541. out yeah let's assume it's out already it's out right now yeah right we'll at least drop the clip

  542. yeah we'll cut the clip and we'll be like yeah you want to listen to it right now just say yes

  543. yes all right here's the album and the clip no you got to create anticipation i think you're

  544. definitely good at doing that you're in a field that is dying and you're almost on a last man

  545. standing type thing the type of music you make the thought you put into it a year and a half

  546. other people that are doing that you're producing their album you know right we got a plug book too

  547. yeah yeah another tug project coming um hopefully another slim project soon i was trying to get

  548. motivated to do a joint another joint project um he's just going through life things right now so

  549. whenever he gets his uh situation right it's mine right back we'll be back but he has he has music

  550. i need to throw together too for a project so it's on me and um i also have another project

  551. that i've been working on for a while with uh with uh drew breezy and sound off um with them

  552. as a group it's literally on my to-do list to listen to the album drew sent me i was uh i was

  553. going through something where i just couldn't listen to it yet so at this time i don't have

  554. a review for the sound off but i gotta get him up here too yeah yeah i gotta spread the musicians

  555. out because people tune in and think like it's a a rap show or music show and typically the artists

  556. i have are rappers or producers so it's like every show you gotta think okay what's the audience

  557. And you want to be approachable. You want to have people being able to tell their story. So it's more about the theme than it is about the guests. Sure. Like, OK, this is somebody who goes through something or set something out. I mean, you could have just quit with, you know, with everything you went through last year.

  558. it's like you still push through put an album out and are about to put an album out and everything

  559. that exists on streaming like even if people don't buy the physical that stuff exists on streaming

  560. and goes into the algorithm as part of what you do and they see a few interviews where we're in

  561. multiple different sets so it makes it like oh i don't have to listen to three hours of this guy

  562. talking you know um first one we went background we went spiritual and kind of where you went with

  563. all that do you think that's affected your music oh absolutely i've uh had to learn how to navigate

  564. around that especially you know being married and becoming more faithful i can't just like

  565. i don't have that crutch that a lot of uh rappers have to just like talk about you know their

  566. dealings with women all the time which i uh used to be able to lean on and talk about that kind of

  567. stuff it's like a really easy go-to oh yeah i heard one today he said i have 20 women and i said

  568. 20 women there's not even that many like that's almost as many hours in a day that there is you

  569. know i don't know what line you're talking about oh it was you gotta remember i listened to something

  570. i i don't even remember who it was or what but i was just like man that's cool that's cool having

  571. 20 bitches no it's not it's not cool it's not cool let's just have a billion you know what i

  572. mean like but you know you have like uh drake and wayne every girl in the world yeah if a billion

  573. wasn't enough right right yeah so that's that's for especially with rap there's easy go-to themes

  574. that you could just lay your hat on and come up with a verse so when you take those things away

  575. when you take away you know uh street stuff murder violence take all that away and then take away

  576. like bragging about girls or something what are you left with you have to be creative or

  577. talk about other things in your life or some sort of theme and i hate storytelling rap so

  578. i can't i can't do it not only am i not good at it i don't i just don't like it i i won't listen

  579. to a story song it's so weird i don't know i can't get into it i like it the first time right

  580. it's like one time it's just like i think the best one that had the beat and everything is an

  581. old song it's like renee you know what i mean like i can go back to that yeah there's not many

  582. that have a ton of replay value no no for for sure and uh that's part of the reason why i'm

  583. listening to you know forest hills drives and older jay cole rather than um i thought the one

  584. the intro that he did for the fall off was really good with the video and the visuals yeah that was

  585. cool the backwards yeah you know yeah it's like that's a little more than just i went to the

  586. street i stopped at the store i pulled out you know um you have to put some creative spin on it

  587. and it's it's tough because i would i didn't really particularly like j cole's album way

  588. too much storytelling everything was a fucking story there was a couple songs that were okay

  589. but just got into it all the time and and i don't know i always just feel like you have to have some

  590. sort of aesthetic or theme like a loose creative theme for it to be interesting like that's why i

  591. love kanye it's like every one of his albums for the most part besides like the first three that

  592. have a theme like every album after that is a different aesthetic it's in a different approach

  593. as a body of work and i think that's what makes it interesting is that that body of work has

  594. an aesthetic and a theme of its own in its own world and um they just don't do it like that

  595. anymore yeah or it's very rare you hear it every now and then or the people doing it are also

  596. working at a warehouse or a factory yeah or they try it like i feel like tyler tries to

  597. but it's just not that good i grab a lot of individual tyler tracks not really whole albums

  598. you know what i mean yeah but he tries so i appreciate that drake tried with this um with

  599. the ice man i really like ice man um kendrick always has a theme that's usually pretty good

  600. besides the gnx one that was the worst i think um and there's really not many more other rappers

  601. anymore that do bodies of work that are interesting when's the last time schoolboy dropped

  602. uh with blue lips i was okay i had some had some joints on there he said he's coming out with

  603. another album soon but i like schoolboy q2 but it's hard for people to follow up like the thing

  604. that brings them in the freshman or whatever you know like especially if that's one thing that i

  605. never leaned into like i see i look at my numbers every now and then and i see which kind of

  606. episodes do what and i look at downloads and i see okay is it a title thing like you can always

  607. optimize i don't get a ton of time i don't have somebody dedicated to that but it lets me know

  608. like i could do this and it doesn't always align with either my favorite conversations or right you

  609. know, and people don't like YouTube is such a small portion.

  610. So if they're looking for video, they're looking for something different than somebody

  611. who's like, well, make sure the wire is not tapping against this or we're not drinking

  612. water.

  613. I go off camera to sip.

  614. It's like, I don't know, you have to put the level of care in, like even if you don't have

  615. the craziest tools, it's just a matter of like, you're not going to drill a screw with

  616. a power drill that needs to only go an inch you're going to use a screwdriver like use the tool

  617. that's right for the job and there's no manual for how to use some of the new stuff right music

  618. was always uh you have the tools but what people make with one mpc is completely different verse

  619. you know like what alchemists might do or yeah for sure you add your own touch to everything

  620. And that's, that is the human experience. And that's another thing with the AI, um, that we could tie that into is you have to incorporate it into your own aesthetic and vibe and the way that you use it and your style.

  621. um that's something like you said somebody like alchemist has or somebody like kanye has like

  622. they're a lot of them are using the same tools but you get a different output and it's the same

  623. thing with ai people always told me when i was using fruity loops back in the day 2006 567

  624. when it was more new and i was working with the the wu-tang guys and they were like oh you use

  625. that fruity loops i i can't get down everybody was using mpcs back then i can't get down with

  626. the fruity loops but i like the way that you do it and uh i remember when somebody i remember i

  627. heard one beat when i'm in high school where somebody used fruity loops and i got and i

  628. understood the sequencing but i didn't know about the piano where you could place the melody or that

  629. you could pitch blend or shift them so you could have something kind of bounce or do like uh yeah

  630. wobbles is the wrong word but you know a pitch drop that goes with or right into the drum kick

  631. so i thought it was interesting how you find one little thing in a program i mean you know how many

  632. people are decent at mixing but they don't know what a compressor is so they break everything

  633. down around like having the volume mad loud the beats like low enough they're throwing hard

  634. limiters just so that they can make the vocals loud enough and it's like then you find that one

  635. thing where you're like oh wow the de-esser works by being between these frequencies like

  636. maybe i can use corrective eq to drop things like a buzz and you link little pieces of what you know

  637. and then that works too with like there's overlaps in sound and photography

  638. that people don't realize unless they've done both to a certain level or video and audio you

  639. know what i mean like knowing what sample rate it's at matters and when i'm consulting people

  640. on podcasts they're always like when i tell them it's about three to four hundred dollars to get

  641. into like you don't have to go roadcaster but if you want four channels 4800 like you can't get

  642. that for 150 yeah no unless you buy it use two good mics and a camera yeah you you don't need

  643. this even just one camera yeah and i get it people have their phone i tell them like just set up a

  644. thing in your car and you have soundproofing because like you never realize how quiet it is

  645. when you're on the highway you ever realize when you stand outside or you're out of the house that's

  646. on the highway it's like yeah my house yeah and then like when you're on the highway you just hear

  647. your own hum it's it's pretty weird but um got back from south by southwest they got waymos and

  648. little like dog bots that bring door dash and stuff it's like it's it's completely different

  649. in terms of like downtown austin and the way you see everything set up we're gonna be in ai ai mad

  650. max soon because then like you have shit like that and then you go down the highway like we

  651. went to um to atlantic city and we went to see uh one of the impractical joker guys and wasn't that

  652. time i don't know we went to jersey for something and on the way back um the uh toll booth place

  653. still did like coins yeah and the coin machine was just overflowing with coins and there was

  654. nobody there and it's just like you drive you just drive through it and throw your coins and

  655. it falls out onto the ground and it's like am i getting a ticket for this still like because

  656. they're gonna like it's that's not just registering yeah that i paid it yeah so it's like the weight

  657. yeah so there's like shit like that and then a waymo yeah like yeah

  658. well it's like you have you have your computer answering emails for you and then some fucking

  659. bitch can't do a fucking number two at wendy's yeah yeah i mean it's it's wild the world we live

  660. him were like you have compute that can answer ridiculous questions infer logic do all this but

  661. sometimes i'll ask it like a recipe and it'd be like i can't give you the answer to that

  662. but on this website here's the answer and i'm like dude google is a massive company like

  663. there's no reason their stuff shouldn't work if anybody's you know what i mean and they pushed

  664. one of their newer models to the voice but it's just not i mean think if you train on data and

  665. google has 95 percent of search and data and all that why don't they have like the number one model

  666. like people are finding that hyper specific is better than all the knowledge in the world right

  667. because they don't because something like google doesn't to transition from the search engine i

  668. think the the the difference is now i don't know if this is right or not but it was just uh links

  669. to other things i think that's why i couldn't give you an answer right now because there's probably a

  670. an open end or something not connecting the knowledge in the link to your answer that you

  671. want so google i mean over the past 10 years or so has been more of like the the ask ask it

  672. everything machine and it gives you an answer but the model of it has always just been like

  673. this is the search engine everybody uses well when people can speak caveman like you spoke a

  674. couple times on the natural english fact and the fact that it can't infer the newer models are

  675. actually better at it like if i give it a make me an app about this it'll do better than if i say

  676. put these specific guardrails and all that and like you want this one with the control

  677. but it's interesting that the newer models are better at that so when you do add logic layers

  678. or things like infer what i mean by here yeah there's like there's still a lot of gaps it's

  679. like asking your arm to kick a field goal or something well it's like i'm going to show you

  680. off camera the one that i have if i say create a video of cars driving along a highway by the

  681. beach with seagulls flying and then cut it into match cuts that show the wheel but keep the car

  682. consistent that's natural language but what it's going to do is break it down and say okay it's

  683. going to be 1920 by 1080 this many frames these are going to be the colors of the car and it turns

  684. it into a prompt that can then give it to the agent that makes the videos so it's like you're

  685. going to have a lot of people like me consulting businesses on how to train uh chat gbt specifically

  686. for their business like just like if you would train a new employee and you give them a handbook

  687. of your procedures and all this like and the fact that we're in this world where some people have a

  688. computer that could order them pizza and verified it was delivered through a camera but yet other

  689. people think it just writes essays right or have never used it the amount of people that have never

  690. even tried it is still staggering to me at least but i'm on the end of the that word i hate spectrum

  691. you want to start to land the plane

  692. drop your socials and stuff

  693. I guess

  694. Instagram phase one propaganda

  695. just search

  696. phase one on whatever you want

  697. with a PH

  698. and a WUN

  699. and I pop up

  700. I don't know what else it would be besides

  701. a PH but that AZ

  702. is important I think you own

  703. that search term so

  704. that's where you want them to go your Instagram

  705. do you want to assume the website is up by now and drop that do i do i want to i guess so i i

  706. guess we could do it it's uh themiserylovecompany.com nice themiserylovecompany.com

  707. if i get this edited beforehand i'm looking at about three weeks till we would drop but um

  708. if you don't drop it by then i'll either just cut that off the end or do whatever

  709. you can put the link in have at least a landing page so they can check it out but you guys know

  710. where to find me tony ortiz the designer i'm at to the designer everywhere instagram um you want

  711. to look me up on facebook it's slash to the designer too that's the only one that's not at

  712. to the designer but youtube slash at to the designer uh spelled to is in my initials tony

  713. Ortiz, the designer. This is another episode of I Will Not Lose Podcast. Listen, I appreciate you

  714. tuning in. Thanks so much. Thank you for listening to another episode of I Will Not Lose Podcast.

  715. To support the show, visit IWillNotLosePodcast.com. You can subscribe to your favorite podcast player,

  716. share the episode link, leave a comment. Your contribution is greatly appreciated.

  717. and if you're listening in and can't see the qr code for donation go to to the designer.com

  718. slash links and there's instructions to donate up there thanks so much